His lyrics are often theatrical: the virgin Mary addressed by a dying man exalting death from his deathbed (“Maria”), the sunset pictured in a puppet’s world (“The Sunset”), the concept of despair painfully anatomized in the schizophrenia theme from the closing song “My Invasions”. Not your usual love-theme singer, that’s for sure. The universal, yet very wayward character of Bram’s music already perplexed both media and public in his own country, but also evoked international response. After his demo got selected in The Wire Magazine’s “Domino Festival” compilation, Bram immediately got called by Kieran Hebden (aka Four Tet), asking him if he could include some songs in the soundtrack of a film he’s working on (“Boy Meets Girl”, Wildebeest Productions, New York). Also, Devendra Banhart sang Bram’s praises in a personal letter after hearing the demo.
And, last but not least, Jon Kelly (Paul McCartney, Kate Bush,…) expressed his interest in mixing the first album of The Bony King of Nowhere, which was produced by European cultproducer Koen Gisen (An Pierlé) in his weird 1960’s studio. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply..
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