Although Preisner is most closely associated with Kieślowski, he has collaborated with several other directors, winning a César in 1996 for his work on Jean Becker's Élisa. He has won a number of other awards, including another César in 1994 for Three Colors: Red and the Silver Bear at the 1997 Berlin Film Festival 1997 for The Island on Bird Street. In 1998, Requiem for My Friend, Preisner's first large scale work not written for film, was premiered. It was originally intended as a narrative work to be written by Krzysztof Piesiewicz and directed by Kieślowski, but it became a memorial to Kieślowski after the director's death. He composed the theme music for The People's Century, a monumental twenty-six part documentary made jointly in 1994 by the BBC television network in the United Kingdom and the PBS television network in the United States.
He has also worked with director Thomas Vinterberg on the 2003 film It's All about Love and provided orchestration for David Gilmour's 2006 album On an Island. Silence, Night, and Dreams is Zbigniew Preisner’s new recording project, a large-scale work for orchestra, choir, and soloists, based on texts from the Book of Job. The first recording was released in 2007 with the lead singer of Madredeus, Teresa Salgueiro, and boy soprano Thomas Cully from Libera. Van den Budenmayer is a fictitious eighteenth-century Dutch composer created by Preisner and director Krzysztof Kieślowski for attributions in screenplays. Preisner said Van den Budenmayer is a pseudonym he and Kieślowski invented "because we both loved the Netherlands".
Music by the Dutch composer plays a role in three Kieślowski films: The Decalogue, Three Colours: Blue, and Three Colours: Red. In the second of these, a theme from his musiques funèbres is quoted in "The Song for the Unification of Europe". Its E minor soprano solo is prefigured in the earlier film The Double Life of Veronique, where circumstances in the story prevent the solo from finishing. Read more on Last.fm.
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