He has studied Kathakali dance/drama percussion in India and toured multi-media art to Singapore, Malaysia, Taiwan and India. He works with improvisation and sound art treatments thru pure frequency modulation synthesis, complex digital delay systems and with Ross Bencina's Audiomulch sound software. Recent electronic sound and music includes installations for the Centre for Contemporary Photography and the Melbourne International Arts Festival, synthesizers, devices & delays for George Telek (an ARIA award winning CD), sound art for the ABC "Listening Room" and voice compositions for experimental theatre. Recent performances in Brisbane include ambient raga/sound improvisations at dawn for the Powerhouse Turbine Hall space. He is currently working on a long-term series of large scale sound installation/performance projects with David Toop, Richard Barrett, Scanner and I/O at South Bank Parklands. His work as a curator in live art and new media in Australia has involved major projects with the National Gallery of Victoria, the Art Gallery of NSW, the Victorian Arts Centre, QUT, RMIT University, Scienceworks and the Sydney City Council. Published writing includes RealTime, Artworks, Dance Life, Westspace "Dialogue" and "Artists Talk" and Australasian Performance Studies Journal.
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