William Lloyd Webber
William Lloyd Webber
Although the second world war interrupted his composition (he was organist and choirmaster at All Saints, Margaret Street, London throughout the war) its ending marked the beginning of Lloyd Webber's most prolific years as a composer. In 1938, he was appointed Organist and choirmaster of All Saints, later moving to Westminster Central Hall, London, one of the most significant Methodist churches in the United Kingdom. His first compositions developed in the 1930s. In 1942 he married the pianist and violinist Jean Hermione Johnstone. The marriage produced two sons: composer Andrew (born 1948) and cellist Julian (born 1951). From 1945 until the mid-1950s, Lloyd Webber composed vocal and instrumental music, choral and organ works, chamber music and orchestral works.
Works from this period include the oratorio 'St. Francis of Assisi', the orchestral tone-poem 'Aurora', the Sonatinas for viola and piano, and flute and piano, and numerous songs, organ pieces and choral works. But Lloyd Webber's roots were firmly embedded in the romanticism of such composers as Sergei Rachmaninov, Jean Sibelius and César Franck, and he became increasingly convinced that his own music was 'out of step' with the prevailing climate of the time. Rather than compromise his style, he turned to the academic side of British musical life - teaching at the Royal College of Music, directing the choir at Central Hall, Westminster, and, in 1964, accepting the Directorship of the London College of Music, a post which he held until his death in 1982. Disillusioned with composition, he wrote virtually nothing for the next 20 years - until shortly before his death, when a sudden flowering of creativity produced among a number of works the mass 'Missa Sanctae Mariae Magdalenae', (available on an ASV CD, DCA961). William Lloyd Webber was by nature a shy and withdrawn character.
He had an avowed dislike of self-promotion and found the 'cut and thrust' approach apparently necessary for the furtherance of a composer's career to be complete anathema. He also had no time for the trappings of verbosity, and was a man averse to wasting words or, in his music, notes. "Why", he would ask his pupils, “write six pages, when six bars will do?" William Lloyd Webber's music has recently enjoyed a resurgence and is heard increasingly in both live and recorded performances. When 'Aurora' was recorded for Philips in 1986 by Lorin Maazel and the London Philharmonic Orchestra, Edward Greenfield of The Guardian called it "skillfully and sumptuously scored ...
music as sensuous as any you will find from a British composer". In 2005, Lloyd Webber's The Divine Compassion was revived by the Aeolian Singers. This large scale choral work takes 95 minutes to perform and is based on the account of The Passion of Christ in the Gospel of John. A 'William Lloyd Webber Festival' took place in the spring and summer of 2007 in London. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply..
show me more