At ten he began formal piano lessons and made rapid progress. Poor health as a child meant that he was educated at home until age 13, but in 1912, after three years study at the gymnasium (high school), Pijper entered the Utrecht Academy of Music, where he was taught composition by Johan Wagenaar, passing examinations in theoretical subjects in 1915. Apart from his brief study with Wagenaar he was entirely self-taught as a composer. Pijper occasionally gave piano recitals, but his activity as a critic was of greater importance. At the end of the First World War, he became a critic for the Utrechtsch Dagblad, and in that capacity was at least partly responsible for the departure of Jan van Gilse, then chief conductor of the Utrechts Stedelijk Orkest. Pijpers constant vitriolic (and often ad hominem) attacks upon Van Gilse forced the latter to demand the orchestra board to refuse Pijper at concerts; after the board had stalled the issue for some time, Van Gilse resigned in 1921.
Pijper has since been criticised for his role in the affair, also because his combined functions of critic and advisor for the Tivoli concert hall at least suggested a conflict of interest (Article about the Van Gilse/Pijper conflict in De Volkskrant (in Dutch)). In 1926, with Paul F. Sanders, he established the periodical De Muziek, to which he contributed many essays. Collections of his essays were published by Querido (Amsterdam) under the title De Quintencirckel and De Stemvork. Pijper spent much of his time during the war years working on a new opera, Merlijn, based on the Arthurian legend. Although he worked on the project for over six years, the work was never completed.
In late 1946, he was diagnosed with cancer. During the closing weeks of his life he rewrote the orchestration to his Concerto for Violoncello and Orchestra. Pijper died on March 18, 1947. Read more on Last.fm.
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