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Vzyadoq Moe - JPop.com
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Vzyadoq Moe

Vzyadoq Moe

Vzyadoq Moe


Vzyadoq Moe was a very peculiar band. From the city of Sorocaba, in the interior of the state of São Paulo, the young band Vzyadoq Moe came together - the name, which has no meaning, appeared in a dream of one of the members. With sombre vocals in the style of Bauhaus and percussion from junk metal inspired by Einstuerzende Neubauten their debut album was released in 1988 by the independent label Wop Bop. Members of the band are still active today working with electronic music as VZY. Read more on Last.fm
Vzyadoq Moe was a very peculiar band. From the city of Sorocaba, in the interior of the state of São Paulo, the young band Vzyadoq Moe came together - the name, which has no meaning, appeared in a dream of one of the members. With sombre vocals in the style of Bauhaus and percussion from junk metal inspired by Einstuerzende Neubauten their debut album was released in 1988 by the independent label Wop Bop. Members of the band are still active today working with electronic music as VZY. VZ was: Fausto Marthe - vocals Marcelo Raymond - guitar Marcos Peroba - percussion Edgard Degas - bass Jacksan Moreira - guitar (first move) Fernandão Dias - guitar (second move) They recorded their first album "O Ápice", late 88 from WOP BOP records, and it had been released on march 88. In October 89, they take part in a record production "Sanguinho Novo", a compilation with some of the most representative underground's bands at the time. Which had been released in December 89 by Eldorado Records. In 1990 another underground's album with friends, called "Enquanto Isso" had been released.

The Label was Manifesto Records. Vzyadoq Moe has performed throughout mid-eastern and southern capitals of Brazilian states, in several towns of country side, and had been on virtually every major club and concert theater in São Paulo like: Teatro Mambembe, Centro Cultural SP, Espaço Retrô, Dama Shock, Projeto SP, Aeroanta, Der Temple, The Clash, Sesc Pompéia... They had been in the media: live TV's shows (Metrópolis, Fanzine,...), magazines and fanzines, specially in a Biron Coley's article on Spin Magazine from July 89. In 1990 the New Music Seminary, located in New York, invited the band to play in that festival at a Brazilian's rock night at The Cat Club. They couldn't go, they had no money. For another hand, they'd recorded at SoftSynck Studio five wonderful tracks produced by RHJackson and the band. They'd stopped their activities almost a year in 1992, coming back as a quartet in 1993 with more punch in their songs and hungry in their hearts. Producing theirself on a record studios they'd matched their best sessions. One of this sessions became a MTV clip: "Rompantes de Fúria", produced by Digital Group(thanks to Gil and Sérgio). Read more on Last.fm.

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