The Dixie Hummingbirds
The Dixie Hummingbirds
The group relocated to Philadelphia, Pennsylvania in the 1940s. During the years, a number of talented singers starred in the group—their bass, William Bobo (known as Thunder), tenor Beachey Thompson, James Walker (who replaced Owens), and Claude Jeter, who went on to star for The Swan Silvertones. The Hummingbirds added a guitarist, Howard Carroll, who added even more propulsive force to their high-flying vocals. The Hummingbirds absorbed much from other artists as well, performing with Lester Young in the 1940s and sharing Django Reinhardt records with B.B. King in the 1950s. Tucker and the Hummingbirds inspired a number of imitators, such as Jackie Wilson and James Brown, who adapted the shouting style and enthusiastic showmanship of hard gospel to secular themes to help create soul music in the 1960s. The group recorded for a number of different labels over the years, while touring the circuit of black churches and gospel extravaganzas.
They occasionally came to the attention of white listeners—at Café Society, the integrated New York nightclub favored by jazz cognoscenti, in 1942, at the Newport Folk Festival in 1966, and as backup for Paul Simon on the 1973 single "Loves Me Like a Rock". For a long time, the group was signed to Don Robey's Peacock Records, based in Houston, Texas. In 1973, Robey sold Peacock to ABC Records, which released a cover of "Loves Me Like a Rock," produced by Walter "Kandor" Kahn and the group's lead vocalist Ira Tucker, which reached #72 on Billboard Magazine's Top 100 R&B Singles chart. The single also won a Grammy for "Best Soul Gospel Performance".
Kahn and Tucker produced an album for ABC entitled We Love You Like A Rock. The album contained Stevie Wonder's "Jesus Children", on which Wonder played keyboards. At that time, the group consisted of five vocalists: Ira Tucker Sr., James Davis, Beachey Thompson, James Walker and William Bobo. Howard Carroll was the group's guitarist. The group now consists of William Bright (vocals), Carlton Lewis, III (vocals), Torrey Nettles (drums/vocals),) and Lyndon Baines Jones (guitar & vocals and Ira Tucker, Jr (vocals) In 1973 The group sang the backup vocals on Paul Simon's "Loves Me Like a Rock", and "Tenderness", from his album "There Goes Rhymin' Simon". In 2003, the Hummingbirds were the subject of an award-winning book about their 75-year career span, Great God A'Mighty! The Dixie Hummingbirds: Celebrating the Rise of Soul Gospel Music [Oxford University Press] by Jerry Zolten.
The book was favorably reviewed in The New York Times. 2-26-2003. In February 2008, the first feature-length documentary/concert film featuring the life and history of the Dixie Hummingbirds was released in commemoration of their extraordinary eighty years as performers. The Dixie Hummingbirds: Eighty Years Young has been shown on the Gospel Music Channel and has played at numerous film festivals. Produced and directed by award-winning filmmaker Jeff Scheftel, and executive produced by University of Hawaii musicologist Jay Junker, the film is now available on DVD, featuring extensive interviews with Ira Tucker, Sr., archival footage, and following the current group as they perform in numerous venues and rehearse under Mr.
Tucker's spirited guidance, in their hometown of Philadelphia, and across the vast landscape of America. Ira Tucker, Sr. died due to complications from heart disease on the morning of June 24, 2008, at the age of 83. The group will go on, thereby preserving the rich legacy left by Tucker, James Davis, William Bobo, Beachey Thompson, James Walker, Howard Carroll, et al., with possible new additions to their personnel down the road. Awards and recognition The Dixie Hummingbirds Grammy Award History YearCategoryTitleGenreLabelResult 2007Best Traditional Gospel AlbumStill Keeping It RealGospelMCGNominee 2000Best Traditional Gospel AlbumMusic In The AirGospelHouse Of BluesNominee 1994Best Traditional Gospel AlbumIn Good HealthGospelAtlanta InternationalNominee 1973Best Soul Gospel Performance"Loves Me Like a Rock"GospelMCGWinner Grammy Hall of Fame Recordings inducted into the Grammy Hall of Fame, which is a special Grammy award established in 1973 to honor recordings that are at least twenty-five years old, and that have "qualitative or historical significance." Grammy Hall of Fame Year RecordedTitleArtistGenreLabelYear Inducted 1946"Amazing Grace"The Dixie HummingbirdsGospel (Single)Apollo2000 Inductions Year InductedTitle 2007Christian Music Hall of Fame and Museum 2000Vocal Group Hall of Fame A pioneering force behind the evolution of the modern gospel quartet sound, The Dixie Hummingbirds were among the longest-lived and most successful groups of their era; renowned for their imaginative arrangements, progressive harmonies and all-around versatility, they earned almost universal recognition as the greatest Southern quartet of their generation. Formed in Greenville, South Carolina by James B. Davis, the Dixie Hummingbirds began their career during the late '30s as a jubilee-styled act; joined in 1938 by 13-year-old baritone phenom Ira Tucker and bass singer extraordinaire Willie Bobo, a former member of the Heavenly Gospel Singers, the group made their recorded debut a year later on Decca, where they issued singles including "Soon Will Be Done with the Troubles of This World," "Little Wooden Church" and "Joshua Journeyed to Jericho." Upon relocating to Philadelphia in 1942, the Hummingbirds' popularity began to grow — Tucker, in particular, wowed audiences with his flamboyant theatrics, rejecting the long tradition of "flat-footed" singers rooted in place on stage in favor of running up the aisles and rocking prayerfully on his knees.
By 1944, he was even regularly jumping off stages — indeed, the frenetic showmanship of soul music may have had its origins in Tucker's manic intensity, itself an emulation of country preaching. At the same time, the Hummingbirds' harmonies continued to grow more sophisticated; the addition of Paul Owens completed the quartet's development, and together he and Tucker honed a style they dubbed "trickeration," a kind of note-bending distinguished by sensual lyrical finesse and staggering vocal intricacy. Their virtuosity did not go unnoticed by audiences, and throughout the mid-'40s — an acknowledged golden age of a cappella quartet singing — the group regularly played to packed houses throughout the south. Thanks to http://afgen.com/dixie.html, go there for more information about this music which rocks and feeds your soul.
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