I have a lot of old friends that I used to play with back in the day on this record and my parents have a blue grass band so they made it onto a track,” says the Pacific Northwest based rapper. “It’s definitely a different kind of album for me, but it’s a pretty well rounded diverse eclectic mixture of musical styles with a good group of guests. Each track is totally different from one another and I’m stoked about it.” Crook County also features guest appearances by some of the heaviest hitters in the underground and detonates an explosive line-up of powerhouse collaborations. “Just a Friend” utilizes the breathtaking melodies of Lady Love to craft an infectious track about the hardships of maintaining relationships while out on the road, while Daddy X of Kottonmouth Kings drops by on “Mushroom Cloud” to expose the Dirtball’s psychedelic eating habits.
Meanwhile, Suburban Noize heavyweight Big B appears on the track “All In”, LaCoka Nostra ‘s CeeKay rips through the track “Nightshade”, Johnny Richter of Kingspade duets about the rigors of the road on “Grind” and Psychopathic Records’ Boondox, drops some rock flavor on the track “Tried, Trued and Tested”. Since the age of 15, The Dirtball (aka David Alexander) has dedicated himself to his music. Growing up in Oregon, Alexander quickly became preoccupied with drums and would be the rhythmic backbone for a number of different bands in the North West. In 1995, Dirtball decided to take his musical aspirations to the next level and formed funk-rock hybrid Chola and would tour the region cultivating a grassroots following. After six years of constant touring and recording with Chola, the band was on the brink of a national breakthrough, but personal and creative differences lead to the band’s demise. “Chola opened the door and kind of schooled me in the art of rhyme, which helped me develop my style.
Then, when the band finally disbanded, I knew right away I didn’t want to hide behind the drum kit anymore, so I just started focusing on developing my skills as a rapper,” Dirtball says of the switch from banging drum kits to spitting on the mic. “I grew up listening to rap and that’s what I loved. I never set out to be a fast rapper, it’s just this kind of unharnessed thing that I developed.” After half a decade behind the kit, Dirtball decided it was time for a change and focused his efforts on perfecting the art of rhyme. His efforts proved fruitful when he developed a knack for creating a machinegun rapid fire flow that quickly became his trademark style.
With a conscious effort to create super tight flawless lyrics, Alexander began his solo path as an MC and The Dirtball was born. After recording a demo, The Dirtball’s rapid-fire rhymes caught the attention of California based Suburban Noize Records who signed him for the release of his debut, Pop-A-D-Ball. The album quickly jumpstarted his career and propelled him into two years of non-stop touring. His sophomore effort, Raptillion, was released in 2006 and became an instant underground classic that prompted PopMatters to say Dirtball’s “Rapid-fire rhymes and an ear for catchy choruses distinguish the rapper’s style, which at times sounds something like a sharper-edged Big Boi.” The Dirtball is at the forefront of a bubbling underground scene that is taking over the hip-hop and rock scenes. In a time of record label closures and spiraling record sales, The Dirtball has rocketed into national fame with the persistence and will to survive in the jungle that is the music business.
His strong work ethic and explosive live show has earned him tours with Tech N9ne, Hed PE, Kottonmouth Kings, Insane Clown Posse, and monstrous Strange Noize Tour, which went on to become one of 2007’s highest grossing independent tours. Silently lurking the underground live networks, Dirtball snaps off raps and will make listeners think twice about the capabilities of white rappers. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply..
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