In its unvarnished truth and efforts to touch the experiences of her listeners, it may be the most mature work to-date by a talent who brought you the critically acclaimed Love Infinity (Sōl 2 Kēp Entertainment) and So Good To Me (Sōl 2 Kēp Entertainment) in just the last four years. As with her previous soulful offerings, the prospect of love happening just around the corner and healing messages of self-love and acceptance thread this empowering and elevating work of intimate honesty. Born in Mesa, Arizona and raised in Southern California, Tobin has been cooing in key since coming out of the womb. As with many of the soul greats she admires, from Donny Hathaway to Marvin Gaye, Tobin’s training and early performances began standing flatfoot in front of the pews and belting past the church steeple.
A comfortable alto with lilting soprano notes, the young Tobin experienced her first studio session as a child with R&B legend Jeffery Osborne. A teenage Tobin was later recruited in high school to be a part of an R&B and hip-hop soul act, Simpli R.A.W., who despite getting signed, fell prey to unscrupulous industry practices. Undaunted, after graduating from high school and a brief ATL move, Tobin had been promised a solo deal that never materialized, before finally landing at Howard University during a particularly charmed period in Washington, DC. Training in classical voice at the famed historically black college, Tobin was present for a storied time that boasted such artists as Shai, Sy Smith, and Eric Roberson as program peers and performing partners.
A member of HU’s famed Chorale, Tobin shared stages with Patti Labelle and Luther Vandross, and was part of history when the Chorale performed with icons like Diana Ross at President Clinton’s Inaugural Gala on the National Mall. Further getting her feet wet by gigging at landmark spots like Takoma Station and Old Glory, Tobin was the first artist to perform at Georgia Brown’s, which has since become a DC music staple. Moves to Atlanta and back to Cali followed, resulting in session and background work with Joe, Mica Paris, Chico Debarge, and Chante Moore. Young and gifted, Tobin was a working artist making an industry name while actively writing the early songs with Debbie Nelson, cuts that would eventually find a home on Tobin’s debut, Love Infinity, but not for another decade.
Life had more writing material for Tobin. Despite cutting a demo and making some headway, Tobin met with many confidence-shaking roadblocks. A voluptuous, milk chocolate woman whose sultry eyes projects the sweet beauty next door, Tobin was inexplicably made to feel not light enough, pretty enough, good enough just as she was by a brutal business known for its tunnel vision. The unrelenting narrow-mindedness drove Tobin to leave music for a time, during which she fell in love, had her son, and returned home to attend to her mother and younger brother—in short, living her life.
But, soon after the end of a troubled relationship that lacked its own melody and harmony, Tobin was back to song, writing with Lew Laing (The Elament Music Group), and had settled on becoming a songwriter. Together, they unsuccessfully pitched songs to various artists before determining that these songs were meant for Tobin. In 2011, under the prescient management and stewardship of Darla Tobin Blakes, that epiphany finally bore the independently released Love Infinity and its radio single, “Free,” a tribute to Donny Hathaway and #1 smash in the UK and the Netherlands for several weeks. More than a decade of songwriting in the making and longer still in developing her craft, Love Infinity and “Free” were both overnight sensations in the UK and among global soul connoisseurs.
Love Infinity was quickly followed up with 2011’s Christmas Child EP (Sōl 2 Kēp Entertainment). Letting no grass grow, Tobin dropped her 2012 fan tribute, So Good To Me (Sōl 2 Kēp Entertainment). True to Tobin’s testimonial approach to penning her life and belief in love, early projects deliver healthy doses of positivity and thoughtful meditations on love, survival, and gratitude. Each are also deeply rooted in the simple storytelling traditions of ‘70s soul, the sensual spirituality of ‘90s neo-soul, and warm contemporary jazz ambience that have become hallmarks of the jazzy soul songstress Tobin has become in the hands of producers as varied as Ahmed Sirour and Tall Black Guy. That signature sound of hybrid musical influences from soulful rock to jazzy R&B has proven as commercial as it is inspirational.
Tobin’s writing prowess led to placement in the 2008 independent film, Fathers of the Sport. Her voice and music can be heard with such corporate partners as Direct TV and Inflight with American Airlines. She has also shared stages with such peers as Anthony David and Rhonda Thomas, nationally toured her “Love & Soul LIVE” concert series, and is a staple performer for the WNBA’s Phoenix Mercury and NBA’s Phoenix Suns, respectively. Tobin’s work has earned her two Independent Music Awards and a SoulTracks Reader’s Choice Awards nomination.
It is a more accomplished and confident Teri Tobin that listeners will find on her fourth studio project, Truth Is… The title serving as the opening half of each of the 14-track titles (e.g., Truth Is…”Love Happens”) and peels back yet another layer of Tobin as an unvarnished truth teller who still follows her mama’s musical advice to “sing pretty.” A single mother of a special needs son, a returning college student, a volunteer music program leader in her local community, a vibrant woman who is “owning her curves,” and a lifelong learner who is “becoming okay with being imperfect,” Tobin is uniquely tapped into the everywoman working to realize her dreams while taking care of herself, her family and community. Ministering to herself as well as to her fans on the encouraging, “#Shine,” produced and co-written by Dominick White, Tobin is speaking intimately about her own self-determination and the work that is required. Having taken the formative steps of fully accepting herself, when Tobin vulnerably declares “I am enough” on the interrogative “I Am,” a stripped-down piano ballad produced by Ahmed Sirour (YahZarah, Cleveland P. Jones) and co-written by Bridgette Bryant (The Soulmate Collection), Tobin’s speaking of arriving to a destination everyone is yearning for.
Joining writing forces with Cleveland P. Jones (James Day, Daniel Crawford) and Shaun Ward on the sumptuously layered single, “Make Beautiful,” the Brandon “Truth” Adams (Kristin Diable, Gary “Lil G” Jenkins) produced and co-penned mid-tempo brew is an extension of Tobin’s indefatigable belief in love. Excavating a different dimension of Tobin’s faith, Corey Hodge’s co-written and produced “Wonderfully Made” opens the project with otherworldly, astral sounds and a harmonic layer cake of affirming and purpose-filled messaging. These are but a few shimmering examples of Tobin’s expanding artistry through collaborations with such veteran producers as Lorenzo Johnson (Ledisi, Maysa) and relative newcomers like Will Birckhead, Shawn Hibbler, and David “NuDAE” Edmonds, as well as long-time partners Animate Inventions, Inna-Ear Muzik Group (i.e., Debbie Nelson), and Keith “Bubby” Webb.
With the winter 2014 release of Truth Is…, Tobin is preparing for her inaugural international tour to share further gratitude to the worldwide fans who have kept her music dreams alive against an unforgiving business and embraced her just as she is. With a sack full of honest and empowering songs in tow, now it’s Teri Tobin’s turn to encourage listeners to allow love and support to happen in their lives, and to stand just as boldly and proudly in their truth as they have allowed Teri Tobin, with dignity and grace. And that’s the truth. Follow Teri Tobin on Facebook, Twitter, Reverb Nation or on her website: http://www.teritobin.com/. LOVE INFINITY, CHRISTMAS CHILD, SO GOOD TO ME, and TRUTH IS are available at Amazon, CDbaby.com, iTunes and other major online retailers.
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