... Even when everybody thinks that Cuba is, you know, salsa, timba, Buena Vista Social Club, there is a lot of different movements of rock and punk. So everybody's open to new music all the time — that's what's happening." Female rappers are greatly outnumbered in most hip-hop communities, and the Cuban scene is no different. But Diaz has managed to stake a claim, she says, by staying grounded in her identity. "It's just that it's not easy — it's not easy in Cuba [for women to make hip-hop]," she says.
"So for me to make an original hip-hop, a Cuban hip-hop, I think you have to reach in your roots. You have to keep your roots — you have to try to bring to the stage, to bring to your music the feeling of your ancestors, you know." To match her internationally-influenced beats, Diaz has developed a flexible delivery, capable of spitting powerful, rapidfire verses. But she says she also strives to maintain a slower, more laid-back style. "I think it's also part of my style to be also slow, to be smooth," Diaz says. "Because one thing that I didn't like from the hip-hop movement sometimes is that they like when women [are] aggressive like them.
So what's the point? ... I use my language, I use my soft part also to communicate and to provoke, to transmit my feelings." Those feelings are often overlaid by socially-conscious messages. Diaz says she wants to convey both modernity and spirituality in her music, as in the song "Spiritual Sin Egoismo." "How important is it to be spiritual in this world that is so crazy," Diaz says. "I mean, what we are doing with our planet is crazy.
So I think the best we can do is try to fix it from inside of ourself, and try to bring our spirit to our life." Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply..
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