“My dad was a musician. He and his band would come over and rehearse in our living room.” Pretty soon, Shane picked up the instruments that were lying around and taught himself how to play. Armed with the influences of Prodigy, the Chemical Brothers, and a touch of classic rock, he was more than ready to get his first drum machine. “I got really excited about that and went crazy trying to copy programming from certain groups I liked. That’s when it started.” So in 1995, this Michigan teenager devoured everything that he could about sampling and making beats.
The basic elements of hip-hop became his life, and he studied all the greats of the underground. In fact, he still remembers the first time he heard of Syntax Records. “One of the [compilation] CDs I listened to was from Seven Ball Magazine. They had a song called ‘Pulling a Fast One’ by Sackcloth Fashion. I was like, ‘Wow, these guys sound different.’” Shane found an email address for the band and dropped them a line.
The communication began, and he knew that one day he’d call the label his home. He says, “I loved what Syntax was doing back then. I saw them and I wanted to be a part of that. I told them, ‘I’m gonna work with you guys some day.’” But he still had a ways to go. He started from the ground up… literally.
Shane joined the Syntax Records street team and handed out promotional material in his hometown. He also took advantage of the open door by passing along his beats. Syntax Records president and co-founder Tim Trudeau recalls, “Every year he sent us a demo, and it got progressively better.” With every cut, Tim and his brother and co-founder Steve watched Shane grow musically. Then, the right demo finally came in. Shane got the call he’d been waiting for.
“It’s about time,” Tim told him. “You’re ready to join the family.” Syntax had no idea the gem that they were about to acquire. After getting the call, Shane went on to win the prestigious and highly sought after Mackie scholarship to SAE Institute, a top school for audio engineering. “People don’t usually win stuff like that,” Shane says.
“I was the one U.S. student to win a scholarship down there. A huge door opened.” At SAE Institute, he learned from the best about mixing and engineering. The same week he graduated, a spot at Syntax opened up.
Now a newlywed husband, Shane and his wife moved to San Diego and joined the group of renegade rappers. For years, Shane was the go-to guy. He mixed and edited for many of the artists on the label. He also worked on special projects for top headliners like Marcos from P.O.D. In the mean time, Shane made beats that got him featured on the infamous Night Owls 3 compilation as well as several films such as Stephen Baldwin’s skate video Livin’ It: LA, Quest for the Code (a documentary based on The Da Vinci Code) as well as cable extreme sports and music channel Fuel TV. “With a degree in engineering and being around people doing music 24/7, the experience has made him grow exponentially,” Tim says.
“I am excited to be a part of that with him. He also challenges me and has caused my growth as an engineer as well.” Now after being behind the music, Shane steps out with the demo that got him signed – Formless. Stripped of the typical hip-hop bravado, this project is pure break beats and digital energy. “It’s like looking at a stepping stone,” he explains. “[It’s] an electronic sound and an experiment with audio.” Not one second was changed on this rare project from its original format.
On every track, he spins out tricks and treats to create a masterpiece all his own. You’ve never heard anything so sharp and so moving. You’ll be warped into a techno-tronic high-speed chase on “Unseen Supernatural War”, yet the haunting melody of “Beautiful and Perfect” plays like a soothing ocean washing up and down the shore. His wife provides the enchanting voice on “Samurai Showdown”, and the intoxicating “Searching2” bears the subtle marks of a professional seasoned beyond his years. From the street team to the studio, Shane Newville is more than just the mix master. He’s a visionary who can see through the mundane to produce a world of trip-hop rhythm and soul… And he does it all for the glory of One. “God created me.
This is me being me and expressing as an art and as worship to my Creator.” Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply..
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