(Universal Music digitally re-released The Reds, and Green With Envy, August 2012.) ●After leaving A&M, The Reds® went forward with two indie albums, STRONGER SILENCE and FATAL SLIDE (Stony Plain), that continued The Reds® sound, receiving critical acclaim internationally. They next recorded a tense and powerful album for Sire/WB entitled, SHAKE APPEAL (digitally re-released by Warner Music, April 2013), produced by Mike Thorne (Blur, Soft Cell, Wire). This forcible record led the band to work with director/producer, Michael Mann. Mann incorporated numerous songs by The Reds® into episodes of Miami Vice, then hired Shaffer and Cohen to write songs and score for two motion pictures, Band Of The Hand (Tri-Star) and Manhunter (De Laurentiis), based on the novel "Red Dragon." Soundtrack albums from both films were released on MCA, a Manhunter CD, with an added Reds® track, “Jogger’s Stakeout,” was released in 2010 by Intrada Records, followed by Universal Music digitally releasing both albums in 2012.
●In 1992, the Reds® next album, CRY TOMORROW (Tarock) reunited them with British producer Mike Thorne. It captures the driving intensity of earlier albums and the ambient, atmospheric feel from their film scores, resulting in a stark, surreal album, with a sense of mood and mystery. The pulsing opening track, "Terror In My Heart," was featured in the film, "Nightmare On Elm Street 2" (New Line), directed by Jack Sholder. Along with a searing non-stop groove of the Stones' "Gimme Shelter," the introduction of various percussive elements, and a diversity of background vocals, all create an experimental and manic energy that reaches inside your head and won't let go.
In 2004 Shaffer wrote and recorded, "Looking For Right," for director Michael Mann’s film, "Collateral." In 2007, FUGITIVES FROM THE LAUGHING HOUSE was written and produced by The Reds®, it’s a straight forward raw nerve reflection of life in America. The Reds® 2009 release, EARLY NOTHING, was also written and produced by Shaffer and Cohen. The album has a hypnotic quality, that leaves the listener free to let their subconscious play itself out, no matter where it goes, while maintaining the simplicity of the moment. The Reds®, shamans of dark, brooding, loud rock continued to explore and define their sound.
●Rick Shaffer’s 2010 first solo album, NECESSARY ILLUSION (Tarock), is a ten song neo-sixties, garage blues excursion, with a Joe Meek and Excello Records production style. The album’s sonic signature is a raw, swirl of distorted guitar, atmospheric percussion, stark droning hill country blues, in a mix of “Excello Records” style reverb. ●Shaffer’s 2011 second solo venture, HIDDEN CHARMS (Tarock), has a sonic blueprint of proto–garage rock/blues, distorted guitar, with melodies buried beneath a mash-up of unadulterated garage vibe. Inspired by Link Wray’s Swan Singles Collection, early Stones, and heavy doses of Mississippi Hill Country Blues Bop, the basic track sound is a simple, but steady primitive hypnotic beat and percussion, ultra distorted guitar, and aggressive raw vocals with intense personal lyric content.
British director, Peter McAdam, created a video of “Buy And Sell,” shot on location in the UK. ●In 2012, Shaffer’s next solo album, IDIOT FLATS (Tarock), is built on a garage/blues framework, Mississippi Hill Country rhythms, a garage/blues framework , and a mash-up of a ‘60’s psychobilly/R&B sounds. Idiot Flats’ lyrical and vocal tone takes on the packaged commercialized plague, asking the listener to live free in the moment, instead of in the past or the future. ●Shaffer’s 2013 release, STACKED DECK (Tarock), continues the "sonic minimalist” blueprint of his previous solo albums. The sound combines hard fuzz guitar driven garage-blues, a blues edged two step, lazy insistent rolling beat, new colors in the harmonica and spoons style percussion, along with an unadorned and unaffected blues narrative. ●Shaffer’s latest 2014 album release, MISADVENTURE, has him back in the garage again, with some of his best songs, performance and production to date.
The ragged edges, room echo, distortion, great hooks, and underlying menace are right in place for some compelling tension and adrenaline drenched garage blues. ●In May 2014, Shaffer released a bonus single, LINK, focusing his talent beyond his five garage rock solo albums, to boost the garage rock genre with a Link Wray, and swamp blues inspired instrumental. RELEASES BY RICK SHAFFER: 2014 • LINK ▪ SINGLE RELEASE ▪ TAROCK MUSIC (USA) 2014 • misadventure ▪ TAROCK MUSIC (USA) #TM-D10 2013 • STACKED DECK ▪ TAROCK MUSIC (USA) #TM-D9 2012 • IDIOT FLATS ▪ TAROCK MUSIC (USA) #TM-D8 2011 • HIDDEN CHARMS ▪ TAROCK MUSIC (USA) #TM-D6 2010 • NECESSARY ILLUSION ▪ TAROCK MUSIC (USA) #TM-D5 RELEASES BY THE REDS®: 2009 • EARLY NOTHING ─ TAROCK MUSIC (USA) #TM-D3 2007 • FUGITIVES FROM THE LAUGHING HOUSE ─ TAROCK MUSIC (USA) #TM-D2 2001 • CRY TOMORROW ─ STEREO SOCIETY (USA) #SS004 1992 • CRY TOMORROW ─ TAROCK MUSIC (USA) #TM-D1 1986 • MANHUNTER (FILM SOUNDTRACK) ─ MCA (USA) #6182 1986 • BAND OF THE HAND (FILM SOUNDTRACK) ─ MCA (USA) #6167 1986 • WAITING FOR YOU (SINGLE) ─ MUSIC ACTION (FRANCE) # N/A 1985 • SHAKE APPEAL ─ MUSIC ACTION (FRANCE) #MAP9009 1984 • SHAKE APPEAL ─ SIRE/WARNER BROS (USA) #21-04261 1983 • FATAL SLIDE ─ HELTER SKELTER (ITALY) #HS93CD26 1982 • FATAL SLIDE ─ STONY PLAIN/RCA (USA & CANADA) #SPL1048 1981 • STRONGER SILENCE ─ HELTER SKELTER (ITALY) #HS93CD26 1981 • STRONGER SILENCE ─ STONY PLAIN/RCA (USA & CANADA) #SPL1037 1981 • STRONGER SILENCE ─ KINGDOM (UK) #KVL9005 1981 • THE REDS (EP) ─ AMBITION (USA) #AM1981 1980 • PROPAGANDA ─ A&M (USA) #SP4786 1979 • GREEN WITH ENVY ─ THE REDS (EP) ─ A&M (USA) #SP3301 1979 • WHATCHA′ DOIN' TO ME (SINGLE) ─ A&M #N/A 1979 • WHATCHA′ DOIN' TO ME (GREEN VINYL) ─ A&M (UK) #N/A 1979 • JOEY & VICTIMS (SINGLE) ─ A&M (USA) #SP3178 1979 • THE REDS (GREEN VINYL) ─ A&M (USA) #SP4772 1979 • SELF REDUCTION / VICTIMS (SINGLE) ─ EKE (USA) #N/A 1977 • JOEY & AUTOMATIC BOY (SINGLE) ─ GO GO (USA) #0001 1971 • JUST THE BEGINNING • RICK SHAFFER & FREIGHT TRAIN ─ FLY BY NIGHT (USA) #N/A http://www.theredsmusic.com/ Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply..
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