Their collaboration in the "Salone du Jazz" became one of the most highly-requested French performances by the American musicians that toured the French capital. After serving in the military from 1955 to 1957, Urtreger would play in a club on the left bank of the Seine, the famous "St Germain." Again he collaborated with two jazz masters: Miles Davis and Lester Young. His work so impressed the latter that Urteger accompanied Young for a short tour of Europe in 1956. In December 1957, he was part of Davis's group which recorded the soundtrack to the film Ascenseur pour l'échafaud (Elevator to the Gallows). In the late 1950s he worked with the likes of Lionel Hampton, Stan Getz, Chet Baker, Dexter Gordon, Sonny Rollins and Ben Webster among others. Shortly thereafter, he broadened his focus to accompany other artists of other genres, largely due to financial necessity.
His canon of jazz work is still widely regarded as sensitive with a full, dense sound of swing. The Academie du Jazz of France formally recognized his accomplishments in 1961 with the Django Reinhardt prize for outstanding jazz artist of the year. He subsequently provided sountracks for films by Claude Berri among others. In 1977, he reappeared on the Paris jazz scene with the intention to resume his career. His renaissance was as a small-ensemble accompanist, with Lee Konitz, Aldo Romano or Barney Wilen. His 1980 performance at the renowned Antibes Jazz Festival was a prominent performance of his later career.
He was also featured at "Le Jazz Cool, Le Jazz Hot: A Celebration of Modern Jazz in Los Angeles and France" at the Getty Museum in Los Angeles (November 2007). In an interview , Urtreger said "Jazz is supposed to be a music of improvisation, of madness". Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply..
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