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Remigijus Merkelys - JPop.com
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Remigijus Merkelys

Remigijus Merkelys

Remigijus Merkelys


Remigijus Merkelys puts his faith mostly in rational methods of composing. In over 15 years, he has more than once tried to change or transgress what had become identified as unmistakably his style of writing. As a result, he has usually constructed either complex, or deliberately stripped-down structures. In his early compositions the composer, former choir leader, explored articulatory and expressive possibilities of voice as "the least developed of instruments" (Iter Balticum, 1990, Liber…, 1991, Missa l’homme armé, 1991). Read more on Last.fm
Remigijus Merkelys puts his faith mostly in rational methods of composing. In over 15 years, he has more than once tried to change or transgress what had become identified as unmistakably his style of writing. As a result, he has usually constructed either complex, or deliberately stripped-down structures. In his early compositions the composer, former choir leader, explored articulatory and expressive possibilities of voice as "the least developed of instruments" (Iter Balticum, 1990, Liber…, 1991, Missa l’homme armé, 1991).

A list of his later works features a growing number of instrumental pieces - studies in ‘physical and metaphysical space’ in earlier works, and manifestations of new pulsating energy in more recent ones (IMPulse, 1996, Gemma, 1999, MiKonst, 2000, Seventh Heaven, 2002, Compass, 2003). Remigijus Merkelys: "Alongside things like energy and spatiality, I’m interested in both an extremely complex, as well as effective, language of music." Due to his current organizational responibilities (Remigijus Merkelys is a chairman of the Lithuanian Composers' Union, head of one of the most solid contemporary music events, Gaida Festival) the composer on rare occassions finds time for writing music. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply..

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