The tour spawned a #2 charting hit of the same name ("Bass Monster") by Reid & FS as well as their "Pussy Weed Money" Remix of "Die Famous" for Burn the Fire which also clocked in at #2. The success of the US portion of the tour has resulted in an upcoming Play Me Bass Monster Europe Tour, which will lead the brand and Speed to Europe in 2012 with Dubsidia, The Unik and Tha Trickaz. In just over 2 years, Play Me Records and Play Me Too have indisputably taken the Beatport charts by storm, with a string of #1, top 10s, and nearly every release charting in the top 100. They have broken more new artists than any other label of its kind, helping to launch the careers of artists like Cyberoptics, FS, J. Rabbit, Run DMT, Twist, Bassex, Dubsidia, and Bare, to name just a few.
2010 saw Play Me Records voted Dubstep Label of the Year by Beatport and Symphonic Distribution. Reid got her start in the New York City underground working behind the counter at the legendary Breakbeat Science record store. A chance trip to the UK in the summer of '97 led to her love affair with 2 step and speed garage. As one of the first US DJs to champion these genres (which morphed into todays's fidget house and dubstep), both Reid and Play Me's steady climb come as no surprise to those who know her history. Soon after she began DJing full time she was holding residencies with Stuck on Earth, Direct Drive & Camouflage while in college at the School of Visual Arts.
Producing tracks for and with likes of Ming & FS and Le Tigre came along soon after, along with involvement in a seminal series of parties that introduced artists like Deekline, MJ Cole, & Stanton Warriors to the NYC underground. Signing to Breakbeat Science's label in 2001, she released her first mix "Resonance" to much critical acclaim, and successfully followed it up with 2003's "Life After Dark." On subsequent tours with Om artists Ming & FS and Colette, and on her own CD release tours, she has honed her precise genre mashing mixing skills and developed a synergy with her crowds that is unmatched. Those who have listened to her mixes or seen her live agree, whether controlling the floor, in the studio, or behind the decks, Reid pushes the music forward every step she takes. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply..
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