He confesses to a regional influence on his music but consciously tempers it. “I don’t think my music should have too much localness because I want many people around the world to like my music,” he says. Hirohito began playing piano at a young age. As his play matured he “became conscious of the beauty of sounds as a melody.” This awareness was illustrated for him by M.
Ravel’s “Piano Concerto in G”(1929-1931). “Its beauty deeply impressed me,” he comments. Its interesting to note that Ravel is considered one of the great French musical Impressionists. That movement was noted for it’s focus on mood and atmosphere and its use of dissonance and the whole tone scale to create hazy, dreamy, effects.
Odori, in radicalfashion's twenty-first century language, moves as boldly and coherently apart from the mainstream as Ravel’s “Piano Concerto in G” did in its time. The richly textured and strikingly original Odori is a composite of contrasting elements. In all senses it is new, fresh, and distinctive yet it sounds familiar. It’s a fascinating sound-world where elegant, sophisticated piano compositions and highbrow experimentalism with uncommon scales collide with playful, modern electronics. It’s a lethargic sonata, free but structured, composed but improvisational. Read more on Last.fm.
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