Soon after, with some encouragement from fellow studio rats, Prema stopped letting people demo her words, and started singing them herself. “The most difficult part of that transition was putting myself up front,” reveals the soft-spoken Prema who refers to herself as a “musical actress.” “I always wrote songs in third person for other people. When I had to focus on me, I had to find my signature amongst various styles.” Whatever struggles she had, none of them were apparent on her first project, The Pre-Album. Powered by what she calls “theatrical” R&B, the CD caught like wildfire through industry circles, with her music reaching as far as London, Japan, the Dominican Republic and Canada. Prema’s international buzz lead to her signing with Interscope in April 2007. Already being described as a cure to what’s become a stagnant music industry, The PREFix showcases Prema’s knack for writing Oscar-worth visuals.
Songs like the mind-stretching “He Beats Me” depicts a victimizing emotion while tracks like “Loving a Junkie” and “He Got Blown Away” highlight her passionate creativity. “I want my music to make you feel like you’ve been taken to another world,” explains Prema about her penchant for storytelling. “I want it to feel like I’m giving the listener a fix. Some people have drugs for that, I want them view my music the same way.” On second thought, Prema Lanay probably could make it as a doctor. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply..
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