He's lived and worked in New York City since 1978. Rothenberg's musical interests are numerous and his work varies widely in its sonic, emotive and stylistic profiles. A strong underlying element of his instrumental voice is the extension of the woodwind language to incorporate polyphony and accurate microtonal organization through the manipulation of multiphonics, circular breathing, and overtone control, not only using his horns in their standard melodic role but also as rhythmic and harmonic engines in both solo and ensemble contexts. As a composer he can move from "Jazz-funk in cubist perspective, dizzying, yet visceral" (J. Pareles, NY Times re Double Band) to a solo music that is "intense, slightly melancholic, rhapsodic without being sentimental (E.
Rothstein, NY times), while avoiding the use of mere effect- "crafting distinct, evocative compositions that boast shape as well as texture" N. Tesser, (Chicago Reader). Rothenberg's frequent international travels have included a 6-month residency in Japan during which he performed his music and studied shakuhachi with two of the foremost masters of the instrument, Goro Yamaguchi and Katsuya Yokoyama. In the summer of '89 he toured the (then) Soviet Union with Tom Cora (cello), Peter Hollinger (drums) and Elliott Sharp (guitars). In October '92 he returned to Russia and the Baltics in duo with the Tuvan vocalist Sainkho Namchylak.
In January 2002 he travelled to South Korea for the first time to work with saxophonist Kang Tae Hwan and percussionist Park Ji-Chun. These are just a few examples: international touring continues each year playing festivals, theatres and clubs as a leader or collaborator. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply..
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