However, the quartet still did not have a name. Shortly before the first concert, Toby came up with the proposition to call the band THE NINTH GATE. In November 2003, THE NINTH GATE played their first concert in Münster´s Luna Bar. Even though the band received nothing but positive feedback from their audience, they knew that there was still a piece missing in the puzzle, a piece that would soon have to be added to take their song writing and sound diversity to a new level. The band agreed that the engagement of a second guitarist would be the right measure in order to open new musical doors and add new melodies and harmonies to round up the metal riffs and to add an extra punch to the hardcore parts. MALZAN had disbanded in the meantime, so their former bass player Stefan Keller was asked by Toby to play guitar in THE NINTH GATE.
Stefan at that time played guitar in the progressive thrash metal band IKONOKL AST, but since he also had many hardcore riffs and song patterns and ideas in mind, he said yes, and thus the final lineup of THE NINTH GATE was completed. The band continued to play concerts and write songs, and in February of 2004, they hit the DOCMA-KLANG STUDIO in Osnabrück to record a 7-track-plus-outro demo CD. The product the band came up with was considered a good effort by everyone who heard it, also because of the very fat overall sound that DOGMA-KLANG-STUDIO producer Matze had managed to create. The demo´s opening track “Broken Spine” was even played in several clubs, for example Münster´s No.1 underground location, the “Sputnikhalle”, a fact which made the band extremely proud. On April 2, 2004, not even a year after the band´s actual foundation, something finally happened that the band would never even have dared to hope for: They were offered a record contract by METAL BLADE RECORDS. The band was very enthusiastic about this, but there was still something they had to do, and that was to change their name. The band agreed that this had to be done mainly because everyone felt that the name simply was not that fitting to their music.
So, after two weeks of intense research and “negotiation” among each other, the band finally found a name that they thought would fit their idea of metal best and that was also adequate considering the message that the band want to get across to their listeners. The new name was NEAERA. This name comes from a famous prostitute of Greek antiquity. The records of a proesecution trial against her brought to light many aspects of the sex trade at the time. Fast forward to 2009: the band has played thousands of shows in hundreds of countries with a slew of their peers, including a full European tour with As I Lay Dying and the supporting slot on the Heaven Shall Burn cd release tour.
They’ve played all of the prominent European festivals: Wacken, Summer Breeze, With Full Force, etc. Armamentarium debuted at 65 on the charts in Germany and Neaera has since extended their deal with Metal Blade Records and are preparing to release their fourth album, Omnicide - Creation Unleashed. In January 2009 the band entered Rape of Harmonies Studio to record Omnicide - Creation Unleashed, with producer Alexander Dietz at the helm. Mixing and mastering was handled by world-famous metal mastering wiz, Zeuss, who gives this aural behemoth his usual seal of excellence. The spawn of the Neaera, ROH, Zeuss collaboration is a 10-track beast of a record that captures the essence of what the band is about: brutal mosh parts, aggressive blasts and fierce melodies make for an album that has ''pit havoc'' written all over it. Lyrically, Neaera stick to their guns, combining socially and politically relevant topics with self-reflective and more personal-based approaches.
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