It was at the age of 22 that he first came to international attention with the electroacoustic works Melt and Clothed in the Soft Horizon. Between them these works were awarded the Stockholm Electronic Arts Award (Sweden), the Résidence Prize (Bourges, France) and the Grand Prix of Musica Nova (Prague, Czech Republic). He has since won more than a dozen international prizes for his work, which has been performed and broadcasted throughout Europe, USA, Canada, Australasia, China, and Asia. He has worked in a number of prestigious European studios, including EMS (Stockholm, Sweden), Ina-GRM and IRCAM (Paris, France), Césare (Reims, France), and Heinrich Strobel Studio (Freiburg, Germany). In the early 1990s, Adkins concentrated predominantly on acousmatic concert music but has since diversified into composing electronic works for contemporary dance, multimedia works, and electroacoustic music.
What he is particularly drawn to in writing such works is the collaborative process that evolves between the composer and artist/performers. The most notable of these have been Neurotransmission (1998), an hour-long acousmatic dance score written for Wayne McGregor and Random Dance in 1998, Still Time (2001) for the flutist Alejandro Escuer, Symbiont (2002) a multimedia collaboration with Miles Chalcraft, and nights bright daies (2003) for the Ictus piano and percussion quartet; the latter premiered in June 2004 at the Festival Agora No 7 at IRCAM (Paris, France). Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply..
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