Maria Tipo's first appearance in North America in the late 1950s, where she played over 300 concerts, caused her to be nicknamed the "Neapolitan Horowitz" Her first recording, an LP of 12 Scarlatti sonatas, which she recorded in a mere 4 hours in 1955, was hailed by Newsweek magazine as the most spectacular record of the year. Her recordings of Bach's Goldberg Variations and of sonatas by Domenico Scarlatti have been awarded the "Diapason d’Or". She has also championed the music of Muzio Clementi both in concert and on disc. Her stature has tended to be higher among her fellow-pianists than with the general public.
Martha Argerich, in an interview with Rai Radio 3 referred to her as "sensational". She is a pianist of considerable strength and virtuosity; the critic Piero Rattalino recalls her playing as a teenager: "Her agility was incredible, and her precision greater than the volcanic Martha Argerich". He classes her with the "tradition of Italian interpreters that begins with Toscanini and includes Zecchi, Benedetti Michelangeli, Pollini, Accardo, Muti, Abbado: interpreters who remain masters of their emotions and achieve the effect they want on the public." He concludes: "Maria Tipo is a knight errant, always ready to do battle for her ideal, even when this ideal takes the form of the Devil. [Her] ideal is beauty.
There are other ways to make music, but this is certainly not the least of them". Tipo also is a dedicated teacher, giving master classes at the Gubbio Festival and the Scuola di Musica di Fiesole, and has served as a professor at the Conservatories of Geneva, Bolzano and of Florence. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply..
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|Aria from Goldberg Variations, BWV 988|
|'Goldberg' Variations BWV988 (Aria with divers variations): Aria|
|Bach, JS: 'Goldberg' Variations, BWV 988: Aria|