Her debut album, Waiting, was produced by Stephen Hague and recorded in London, England and New York City. On November 7, 2000, Highway Records released a special edition of Waiting to a Christian, predominantly Mormon, bookstore market; this edition featured a bonus track that would not appear on the general public release. Nettwerk's record company released Waiting in Canada on February 20, 2001. While Ord was nominated for a Juno Award for Best New Artist, and her singles "Sarah" and "Perfect" were successful on Canadian radio, an anticipated U.S. and international release with Capitol/EMI in summer 2001 did not come through, and Nettwerk itself, not a major record label outside of Canada, released Waiting quietly in the United States on August 27, 2002. A second beginning and Not Today Not Today, released in 2004. Ord parted ways with McBride and Nettwerk to join Gary McDonald at the boutique Managment firm Frontside, and looked for another mass-market record company, but continued to work with Highway and its focus on the Mormon market for the September 28, 2004 release of her sophomore album, Not Today. Canadian music legend Randy Bachman (The Guess Who, Bachman-Turner Overdrive), also a Latter-day Saint, collaborated as co-writer, guitarist and producer for the album, which they recorded at Bachman's studio on Saltspring Island in British Columbia. She performed in two Mormon-themed movies: singing on the soundtrack of the 2002 romantic comedy The Singles Ward, and acting, as Sariah Phelps, in the 2003 family comedy The R.M.
(or The Returned Missionary). Writing in Las Vegas Weekly (December 9, 2004), Richard Abowitz contended that Ord "is a more gifted musician than Alanis, sings a lot better than Michelle Branch and writes songs sharper than Pink and Avril combined."  Over the sophomore hump with album number three Pretty Things With the release of "Pretty Things" on November 21st, 2006 Ord enters yet another phase of her career, an acoustic one. "Pretty Things" marks the beginning of Ord's production career as she co-produced the entire record herself at a studio in Orem, Utah. The sound is simpler, quieter and more reminiscent of Jack Johnson than Avril Lavigne (whom she's been compared to previously). It saw a world-wide digital release through platforms like iTunes on October 10th, 2006 and was met with mostly favorable reviews from her fans.
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