Trying to get property of non-object [ On /var/www/virtual/jpop.com/public_html/generatrix/model/youtubeModel.php Line 63 ]
Undefined variable: cookie_headers [ On /var/www/virtual/jpop.com/public_html/generatrix/external/magpierss-0.72/extlib/Snoopy.class.inc Line 438 ]
Mahmoud Dowlatabadi - JPop.com
Artist info
Mahmoud Dowlatabadi

Mahmoud Dowlatabadi

Mahmoud Dowlatabadi


Mahmoud Dowlatabadi (Persian: محمود دولت‌آبادی‎‎, Mahmud Dowlatâbâdi) (born 1 August 1940 in Dowlatabad, Sabzevar) is an Iranian writer and actor, known for his promotion of social and artistic freedom in contemporary Iran and his realist depictions of rural life, drawn from personal experience. Biography[edit] In 1940, Mahmoud Dowlatabadi was born to a poor shoemaker in Dowlatabad, a remote village in the Sabzevar, the northwestern part of Khorasan Province, Iran. Read more on Last.fm
Mahmoud Dowlatabadi (Persian: محمود دولت‌آبادی‎‎, Mahmud Dowlatâbâdi) (born 1 August 1940 in Dowlatabad, Sabzevar) is an Iranian writer and actor, known for his promotion of social and artistic freedom in contemporary Iran and his realist depictions of rural life, drawn from personal experience. Biography[edit] In 1940, Mahmoud Dowlatabadi was born to a poor shoemaker in Dowlatabad, a remote village in the Sabzevar, the northwestern part of Khorasan Province, Iran.[1] He worked as a farmhand and attended Mas'ud Salman Elementary School, where he learned to read. Books were a revelation to the young boy. "I read all the romances that we had at that time around the village," he said in an interview.[2] "I would read on the roof of the house with a lamp…I read War and Peace that way." Though his father had little formal education, he introduced Dowlatabadi to the Persian Classical poets, Saadi Shirazi, Hafez, and Ferdowsi. "[My father] generally spoke in the kind of language they used," Dowlatabadi said. Nahid Mozaffari, who edited a PEN anthology of Iranian literature, said of Dowlatabad, "He has an incredible memory of folklore, which might come from his days as an actor or might come from his origins, as somebody who didn't have a formal education, who learned things by memorizing the local poetry and hearing the local stories."[1] As a teenager, Dowlatabadi took up a trade like his father and opened a shop.

One afternoon, he found himself hopelessly bored. He closed the shop, gave the key to a boy, and told him to tell his father, "Mahmoud's left." He caught a ride to Mashhad, where he worked for a year before leaving for Tehran to pursue theatre. There Dowlatabadi worked for a year before he could afford to take theatre classes. When he did, he rose to the top of his class, still working numerous other jobs.

He was an actor---and a shoemaker, barber, bicycle repairman, street barker, cotton picker, and cinema ticket taker. Around this time he also ventured into journalism, fiction, and screenplays. "Whenever I was done with work and wasn't preoccupied with finding food and so on, I would sit down and just write," he said.[2] In addition to his performance in plays by Brecht (e.g. The Visions of Simone Machard), Arthur Miller (e.g.

A View from the Bridge) and Bahram Beyzai (e.g. The Marionettes), Dowlatabad's novels attracted the attention of local police. In 1974 he was arrested by the Savak, the shah's secret police force. When he wondered exactly what crime he committed, they told him, "None, but everyone we arrest seems to have copies of your novels so that makes you provocative to revolutionaries."[1] He was in prison for two years. Toward the end of his term, Dowlatabadi said, "The story of Missing Soluch came to me all at once, and I wrote the entire work in my head." Dowlatabadi couldn't write anything down while in prison.

"I began to become restless," he said. "One of the other prisoners...said to me, 'You used to be so good at putting up with prison, now why're you so anxious?' And I replied that my anxiety wasn't related to prison and all that came with it, but was because of something entirely else. I had to write this book." When he was finally released, he wrote Missing Soluch in 70 nights.[2] It later became his first novel published in English, preceding The Colonel.[3] Works[edit] Dowlatabadi in 2011 Kelidar[edit] Kelidar is a saga about a Kurdish nomadic family that spans 10 books and 3,000 pages. Encyclopædia Iranica praises its "heroic, lyrical, and sensual" language.

The story is tremendously popular among Iranians due to "its detailed portrayal of political and social upheaval."[1] Dowlatabadi spent over a decade crafting the tale. "I spent fifteen years preparing, writing short stories, sometimes writing works that were a little longer, the grounds towards what would become Kelidar," he said.[2] Missing Soluch[edit] In Missing Soluch, an impoverished woman raises her children in an isolated village after the unexplained disappearance of her husband, Soluch. Though the idea for the novel first came to Dowlatabadi in prison, its origins trace back to his childhood. "My mother used to talk about a woman in the village whose husband had disappeared and had left her alone.

She was left to raise several children on her own. Since she didn't want the village to pity her, she would take a bit of lamb's fat and melt it and then toss a handful of dry grass or something into the pan and put this in the oven, so that with the smoke that would come out of the oven the neighbors might think that she was cooking a meat stew for her children that night," he told an interviewer. Missing Soluch was his first work translated into English.[2] The Colonel[edit] The Colonel is a novel about nation, history, and family, beginning on a rainy night when two policemen summon the Colonel to collect the tortured body of his daughter, a victim of the Islamic Revolution.[3] Dowlatabadi wrote the novel in the 1980s, when intellectuals were in danger of execution. "I hid it in a drawer when I finished it," he said.[1] Though it is published abroad in English, the novel is not available in Iran, in Persian.

"I did not even want to have this on their radar," he said. "Either they would take me to prison or prevent me from working. They would have their ways." The novel was first published in Germany, later in the UK and United States.[1] Thirst[edit] Thirst (Persian: Besmel) is a novel of the Iran-Iraq war (1980-1988). It is written mostly from the perspective of an Arabic-writing Iraqi.

The original Persian title refers to the concept of 'besmel' explained in a footnote as: "the supplication required in Islam before the sacrifice of any animal". It is used repeatedly in the text, as the characters find it applies to them.[4] Influence[edit] Dowlatabadi is celebrated as one of the most important writers in contemporary Iran, particularly for his use of language. He elevates rural speech, drawing on the rich, lyrical tradition of Persian poetry. He "examines the complexities and moral ambiguities of the experience of the poor and forgotten, mixing the brutality of that world with the lyricism of the Persian language," said Kamran Rastegar, a translator of Dowlatabadi's work.[1] When Tom Patterdale translated Dowlatabadi's The Colonel, he avoided Latinate English words in favor of Anglo-Saxon ones, hoping to reproduce the effect Dowlatabadi's "rough and ready" prose.[5] Most other Iranian writers come from solidly middle-class backgrounds, with urban educations.

Because of his rural background, Dowlatabadi stands out as a unique voice. He has also garnered praise internationally, with Kirkus Reviews calling The Colonel, "A demanding and richly composed book by a novelist who stands apart."[6] The Independent described the novel as "passionate," and emphasized, "It's about time that everyone even remotely interested in Iran read this novel." [7] Awards and honors[edit] 2009 Haus der Kulturen Berlin International Literary Award, shortlist, The Colonel 2011 Man Asian Literary Prize, longlist, The Colonel 2012 Hooshang Golshiri Literary Award, Lifetime Achievement[8] 2013 Jan Michalski Prize for Literature, winner, The Colonel[9][10][11] 2014 Legion of Honour In August 2014, Iran issued a commemorative postage stamp for writer Mahmoud Dowlatabadi.[12] Translations[edit] In Norway, Den tomme plassen etter Soluch is translated into Norwegian by N. Zandjani. Oslo, Solum forlag 2008. In Switzerland, Kelidar is translated into German by Sigrid Lotfi, Unionsverlag 1999. In Switzerland, The Colonel is translated into German by Bahman Nirumand, Unionsverlag, 2009.Later, it is translated to English and Italian. In Israel, "שקיעת הקולונל" (The Decline of the Colonel) translated into Hebrew by Orly Noy.

Am Oved Publishing, 2012. In the United States, Missing Soluch is translated into English by Kamran Rastegar, 2007. In the United Kingdom, The Colonel is translated into English by Tom Patterdale, 2012. In the United Kingdom, Thirst is translated unto English by Martin E. Weir, 2014. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply..

Top Albums
showing 3 out of 3 albums
Shoutbox
No Comment for this Artist found
Leave a comment


Comments From Around The Web
No blog found
Flickr Images
No images
Related videos
No video found
Tweets
No blogs found