At the war's conclusion, he returned to Greensboro, where he worked club dates with the Rhythm Vets, a combo composed of A and T students who had served in the U.S. Navy. The band recorded the soundtrack to a musical comedy featurette, "Pitch a Boogie Woogie," in Greenville, North Carolina, in the summer of 1947. The movie had a limited run at black audience theatres in 1948 but its production company, Lord-Warner Pictures, folded and never made another film.
"Pitch a Boogie Woogie" was subsequently restored by the American Film Institute in 1985 and re-premiered on the campus of East Carolina University in Greenville the following year. Donaldson and the surviving members of the Vets performed a reunion concert after the film's showing. In the documentary made on "Pitch" by UNC-TV, "Boogie in Black and White", Donaldson and his musical cohorts recall the film's making—he originally believed that he had played clarinet on the soundtrack. A short piece of concert footage from a gig in Fayetteville, North Carolina, is included in the documentary. Donaldson's first jazz recordings were with the Charlie Singleton Orchestra in 1950 and then with bop emissaries Milt Jackson and Thelonious Monk in 1952, and he participated in several small groups with other jazz luminaries such as trumpeter Blue Mitchell, pianist Horace Silver and drummer Art Blakey. In 1953, he also recorded sessions with the trumpet virtuoso Clifford Brown, and Philly Joe Jones. He was a member of Art Blakey's Quintet and appeared on some of their best regarded albums, including the two albums recorded at Birdland in February 1954 Night at Birdland. Donaldson has recorded in the bop, hard bop, and soul jazz genres.
For many years his pianist was Herman Foster. He was inducted into the North Carolina Music Hall of Fame on October 11, 2012. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply..
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