The combination of the two gives a sense that you're listening to the music of a culture that exists only in minds of a handful of creative people. Until recently, their ensemble has consisted of drums, bass, guitar, keyboard, and female vocals (Nami Sagara, ex-The Eccentric Opera). With their latest album, Angherr Shisspa, they have replaced the guitar with reed player Komori Keiko (mainly on soprano sax). With this change in instrumentation, their style has veered into a new direction to match the change in tone color. Through their evolution of style, their rhythmic and formal complexity have expanded greatly, incorporating polyrhythms, asymmetrical time signatures (i.e. not all beats are the same length), as well as more complex and varied sections, often containing polyphony and counterpoint.
However, through all these impressive technical feats, they have managed to keep the overall feel very simple and melodic, to the extent that most other music feels hideously normal after listening to Koenji Hyakkei. Formed in Tokyo, Kantô, Japan in 1991. Note that there is no official way to romanise the band's name, which accounts in part for the wide variety of tags across last.fm. Koenji Hyakkei and Koenjihyakkei have been used most commonly by official sources, but KoenjiHyakkei, Koenji-Hyakkei, and others have also been seen. 高円寺百景 is the Japanese tag for the artist, and a more accurate romanisation for the name would be Kōenji Hyakkei or Kōenjihyakkei, although these are rarely seen. Studio discography: 1994 - 高円寺百景 (Hundred Sights of Koenji) 1998 - 弐(II) (Viva Koenji!) 2001 - Nivraym 2005 - Angherr Shisspa Live discography: 2002 - Live at Star Pine's Cafe 2006 - Live at Doors 2008 - 070531 2010 - Live at Koenji High Read more on Last.fm.
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