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Keiko Fujiie - JPop.com
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Keiko Fujiie

Keiko Fujiie

Keiko Fujiie


Keiko Fujiie (born 1963) is a Japanese composer born in Kyoto, Japan. She is the daughter of a professor of mathematics in the University of Kyoto and completed postgraduate studies at Tokyo National University of Fine Arts and Music. Fujiie won the Otaka Prize in 1995 and in 2000 for best symphonic piece of the year. She is married to the classical guitarist Kazuhito Yamashita. Works Fujiie is best known for guitar compositions, many of them for Japanese guitarist Kazuhito Yamashita. Selected works include: Read more on Last.fm
Keiko Fujiie (born 1963) is a Japanese composer born in Kyoto, Japan. She is the daughter of a professor of mathematics in the University of Kyoto and completed postgraduate studies at Tokyo National University of Fine Arts and Music. Fujiie won the Otaka Prize in 1995 and in 2000 for best symphonic piece of the year. She is married to the classical guitarist Kazuhito Yamashita. Works Fujiie is best known for guitar compositions, many of them for Japanese guitarist Kazuhito Yamashita.

Selected works include: Bodrum Sea (Bodorumu no Umi) To Far-off Land (Kanata e) Now the Horizon Comes Into View (Shoshite Suiheisen) The Night (Jyakuya) Dialogue With The Night (Yoru to no Katarai) La Casa (le) Piececitos (Kanashimi) Sweet Tenderness (Amai Yasashisa) Morning With Roosters Floating Paper Boats On The River Bicycling To The Wizard's Wood Raindrops Recolour The Landscape Fireworks In A Starry Sky Birds Peck-Pecking On Branches An Annamese Bowl With Leisurely Goldfish A Sad Melody At Twilight Daughter Of The Mountain Children Chasing Birds New Year's Eve In A Far-Off Land Lullaby Of The Waves Suite: In Their Shoes Sonata No.1 for Solo Guitar, 'The Blue Flower' Sakura, Sakura Barcarolle Cold Waves, Red Blood The Song of Shells, The Song of Stones Variations on Heidenröslein by Schubert Curious Interludes, on motifs by Namifu Yamashita, for guitar duo Kasane, for four guitars Scenaries For Children With Korean and Japanese Melodies, for six guitars Suicho-Tsushimanoraku" for three guitars, vocals and stones Morokoshi ni tsukawasu tsukai no fune Naniwa yori izuru toki haha ga ko ni okureru uta Op. 98, for vocal, 5 guitars and Japanese Bugaku dance Guitar Concerto No. 1 Guitar Concerto No. 2 - 'Koisucho' Kyoto;Reverberation, for doublebass, guitar and orchestra An Autumn Reverie, for guitar and string ensemble Read more on Last.fm.

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