It blends acoustic instruments with electric guitars, distortion-laden thumb pianos (with DIY amplification) and soulful vocals. Compared to Konono N°1 (whose minimal and effective sound has been massively adopted by the international electronica, world music and alternative rock scenes), Kasai Allstars use a broader array of instruments & textures, and wilder, more complex polyrhythms. They often sound like some kind of retro-futurist primeval rock band ("This is rock sucked back to the continent of its birth to be granted a glorious resurrection", wrote UK magazine The Word.) They draw their songs from festive and ritual music played in the bush before being banned by the Europeans, who considered the highly erotic dances and the pagan trance ceremonies as "satanic". While the cultural aspect of their work is important to them, the members of the Kasai Allstars collective are first and foremost musicians and performers, who decided to try and throw their respective traditions, styles, languages and instruments into a common musical sandbox.
This process (which means that they often have to invent new parts, and adapt certain musical patterns for instruments that normally don't play them), as well as the band's interaction with modern amplification and production techniques (through their collaboration with the producer of the album, Vincent Kenis), all give an exciting and very creative angle to the project. Kasai Allstars have released two albums so far, "In the 7th Moon, the Chief Turned Into a Swimming Fish and Ate the Head of His Enemy by Magic" (2008) and "Beware The Fetish" (2014). It's a reviewer cliché to claim that you never heard anything like it. For once, it's actually true (The Times, UK) …the sound of distortion zombies coming down the road to kill us all. It's relentless… wonderful… (Pop Matters, USA) Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply..
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