The highest musical standards were maintained and Kadekaru soon gained a reputation for his sanshin playing and was often invited to perform at other village's jamborees. Successive authorities attempted to ban the mo-ashibi, these unruly gatherings were thought to be immoral, but they flourished until just before the second world war. In the pre-war years there are stories of parents encouraging their children to take part in the mo-ashibi every night, in the hope they would fail the medical for military conscription due to exhaustion. After the war, and the US occupation, the mo-ashibi was outlawed for good. Kadekaru stayed on the islands of Saipan and Tinian returning to Okinawa in 1949. His reputation had not been forgotten and he became one of the pivotal figures in the post-war Okinawa folk boom.
He recorded nearly 250 songs for local record labels, more than any other musician. His reputation and prolofic output earned him the title of "The Godfather of Shima Uta". He continued to perform until his death in October 1999. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply..
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