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Junia - JPop.com
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Junia

Junia

Junia


Junia are a 4 piece band of young, beautiful talented artists. Relatively new on the music scene they have played big venues with a popular fan base. There is no stopping these young rock stars who have big plans and the skill, looks and talent to back it up! Recently just releasing there EP (2009) they are progressing more and more each day. The voice of an angel and sick guitar parts front this awesome band (Ryan Cronk), the genius rock god blasts out some outstanding riffs on guitar (Ed Egan) Read more on Last.fm
Junia are a 4 piece band of young, beautiful talented artists. Relatively new on the music scene they have played big venues with a popular fan base. There is no stopping these young rock stars who have big plans and the skill, looks and talent to back it up! Recently just releasing there EP (2009) they are progressing more and more each day. The voice of an angel and sick guitar parts front this awesome band (Ryan Cronk), the genius rock god blasts out some outstanding riffs on guitar (Ed Egan), catchy and tight bass lines are fluent throughout their set (Sumo Sims), holding the bang together at the back with the rhythm style of clockwork (Toby). 2) Berlin-based singer, songwriter, actress and all around performer, Ella Endlich, was born Jacqueline Zebisch, behind the Iron Curtain in 1984.

The daughter of producer Norbert Endlich, she was born with showmanship in her blood and over the years she has honed it into a fine art, becoming one of Germany's major show business stars. Ella Endlich at a Berlin recording studio in November of 2011 She signed her first recording contract at the age of 14, and as the teen star, Junia, she recorded four singles. The first of these, 'It's Funny', was the most successful and reached number 17 in the German charts. After finishing high school, Jacqueline began honing her craft, studying music, drama, theatre and dance at the Bavarian Theatre Academy in Munich. Taking the name Ella Endlich for a new adult performing career, she released the single Küss Mich, Halt Mich, Lieb Mich in 2009. The pretty song is in the form of lyrics set to the music composed by Charles Svoboda for the Czech fairytale film, Drei Haselnüsse für Aschenbrödel (Three Hazelnuts for Cinderella). The film is traditionally shown at Christmas in Germany and I recall an English-dubbed version having been shown in the UK, as well. The popularity of the film led to success on the pop charts as well, for Ella Endlich, as it peaked at #12 in Germany.

It remains a perennial favorite, and at the time of this writing, her video performance of it has garnered an astonishing 4.1 million plays on YouTube. It earned her a gold record (Goldene Schallplatte) and a 'SMAGO' award (from a German schlager magazine). Take a look at her German pop classic, Küss Mich, Halt Mich, Lieb Mich (Kiss me, hold me, love me): 3) Junia, born & raised in Yorkshire UK has been DJing for 17 Years taking in gigs at some of the most noteworthy clubs in the UK such as Hard Times, Back to Basics & The Ministry of Sound. As Junia moved into production more International gigs & residencies followed with dates throughout the USA & Europe furthering Junia’s notoriety on the underground house scene, allowing collaborations and releases with more recognised House Pioneers of the likes of DJ Pierre, K Alexi, & Victor Simonelli. More recently Junia has released his latest music offerings on DJ Sneaks ‘Magnetic Recordings’ with DJ Support from heavyweights Doc Martin, DJ Sneak & Mark Farina to name but few and has also had music used by leading global brand Pioneer as part of their ‘20 Years of DJing” advertisements. Also Junia’s remix skills have been requested by Gramaphodzie on his Disko Zoo label and underground house label ‘Doin work Records’ who have also recently released a further Junia EP entitled “The Awaited Ep” out now! Talking about this mix and how it represents him as an artist, Junia says “This is a live recording in a club so is the real thing as far as experiencing what I do in a set, I am all about texture and contrast while DJing, I don’t like to lose intensity with the music. I’m definitely not a simple one track after the other type of DJ and this mix demonstrates that. We’ve got old & new music but I put it together in my style with edits and incorporate live remixing along the way but using the music as it was made, none of this push button pads stuff that does it for you now, I’m old school like that – it’s like turntablism just with house music, I like to call it “audiolism”. When asked to describe the house gangster sound and what the House Gangster movement means to him, he replied; “Musically it’s a “Come test us” attitude, show us what you’ve got! I’ve always been about that anyway.” We asked Junia to tell us about how he choose the tracks and compiled this mix, to which he explains; “This is a club mix so the tracks choose themselves.

Mixing them is the easy part but choosing the right tracks to compliment each other in the mix and create energy that could not be sparked otherwise is the thrill for me. There isn’t enough DJ’s that do this - you have to spark something in the music you’re playing that the crowd couldn’t feel just by listening to the originals at home or by twisting the effects knob on the mixer, Guys should be having to come over and peer through into the booth just to see what it is that’s goin on when a DJ spins, not just mundane mixing outro into intro!” Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply..
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