After this, Graas settled in Los Angeles, finding work as a studio musician but also now able to work with kindred spirits on the innovative side of West Coast jazz, including Shorty Rogers, Jimmy Giuffre, Gerry Mulligan, Art Pepper, Buddy Collette, and Shelly Manne, all of whom were involved in efforts to blend jazz with elements of classical music. Graas recorded a few albums under his own name, including French Horn Jazz (1953), Coup de Graas (1956), and Jazzmantics (1957). His "Jazz Chaconne No. 1" was an example of his ambitious attempts to fuse jazz with classical music. It appeared on International Premiere in Jazz (1958) with his "Jazz Symphony No.
1", which, despite its title, was far more classical than jazz. The 1950s were a period of intense activity by Graas, as performer, composer, and arranger. Besides groups under his own name, he appeared in the musical aggregations of Shorty Rogers, Stan Kenton, Maynard Ferguson, Billy May, Pete Rugolo, Mel Lewis, and others. The 1960s began with equal intensity, including recordings with Henry Mancini, Bobby Darin, Heinie Beau, and others, until his career was cut short by his death of a heart attack, at age 45, in the Van Nuys section of Los Angeles. Read more on Last.fm.
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