It was the #6 most-added new record among Americana radio stations in April 2003, and critical praise soon followed. "A master at bending boundaries," marveled the Boston Globe, while the Washington Post praised Armerding's "remarkable" instrumental skills. Touring non-stop, he made debut appearances at the Newport Folk Festival (RI), Kerrville Folk Festival (TX) and Falcon Ridge Folk Festival (NY) that year, along with some of the country's best-known acoustic venues, the Ark (MI), Bluebird Cafe (TN), Tin Angel (PA) and the Freight & Salvage (CA). After more than 500 performances, from Anchorage to London and Miami to Bangor, Armerding returned to Nashville to record "Walking on the World." With the help of Nashville legends (Dan Dugmore on pedal steel) and his own friends in the scene (Crooked Still's Aoife O'Donovan on harmony vocals), he crafted an album that is "sharp, original, quietly intense, and rewarding for any who'll listen with both ears" (Lansing State Journal). "Walking" is as difficult to categorize as much of today's best music; equal parts New England singer-songwriter, acoustic rock and newgrass, no genre is exactly safe.
But the effect is natural -- "his real achievement has been to break the conventions that define country music" (Boston Globe). Armerding stands out from a crowd of new singer-songwriters for his ability to create something new out of something old. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply..
show me more