of cynical-sentimental simplicity'. The ballet project came to an end with Diaghilev's death on 19 August 1929, but Markevitch's works were accepted by the publisher Schott and he continued to produce at least one major work per year during the 1930s, being rated among the leading contemporary composers. He started being hailed as "the second Igor" — the first Igor being Igor Stravinsky. Markevitch collaborated on a ballet, Rébus with Leonid Massine (1931) and another, L'envol d'Icare (1932) with Serge Lifar; neither was staged, though both scores were performed as concert works. L'envol d'Icare, based on the legend of the fall of Icarus, which Markevitch himself recorded in 1938 with the Belgian National Orchestra, was especially radical, introducing quarter-tones in both woodwind and strings. (In 1943 he recomposed the work under the title Icare, eliminating these, rescoring and simplifying the rhythms.) Béla Bartók once described Markevitch as "...the most striking personality in contemporary music..." and cited him as an influence on his own composing. An independent version of L'envol d'Icare for two pianos and percussion, which Bartók heard, is believed to have influenced Bartók's own Sonata for 2 Pianos and Percussion. Liebestod from Tristan und Isolde. Igor Markevitch, conductor and the Orchestre National de l'ORTF Markevitch continued composing as war approached but not long after completing his last original work, the Variations, Fugue and Envoi on a Theme of Handel for piano, in October 1941 he fell seriously ill.
After recovering, he decided to give up composition and focus exclusively on conducting. His last compositional activities were the revision of L'envol d'Icare and arrangements of other composer's music, of which the version of The Musical Offering by J. S. Bach is especially notable. Markevitch made his debut as a conductor at age 18 with the Royal Concertgebouw Orchestra.
As a conductor, he was well-respected for his interpretations of the French and Russian repertory and of twentieth-century music. He settled in Italy and became an Italian citizen. During the Second World War he was active with the partisan movement. He relocated again, to London in 1953, and then to Switzerland.
Beginning in 1965 he worked for the Spanish RTVE Orchestra. In 1970, after ignoring his own compositions for nearly 30 years, he conducted a concert of his own music in Brussels and thereafter a slow revival of his original works began. He died suddenly from a heart attack in Antibes on March 7, 1983. Family His brother Dimitry Markevitch was a notable musicologist and cellist. Markevitch's first wife was Kyra Nijinska, a daughter of the ballet dancer Vaslav Nijinsky. They had one son, Vaslav, before divorcing. His second wife was Donna Topazia Caetani, the only child of Don Michelangelo Caetani dei Duchi di Sermoneta and his wife, the former Nobile Cora Maria Antinori, who ran the boutique of the Paris decorating firm Jansen. Their son is the conductor Oleg Caetani, who is presently chief conductor and artistic director of the Melbourne Symphony Orchestra.
Markevitch also had two daughters with Topazia, Allegra (born 1949) and Nathalie (born 1951). After his wife's death, he became the companion of Carlotta Garriga. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply..
show me more