What did register was the wild abandon of drumming. Inspired by a friend of his brother’s, Ian began taking drum lessons in 1983. Eight years later, he auditioned and was accepted into The American Conservatory of Music. Ian studied Jazz drumming and composition while at ACM, but eventually left to pursue his other passion, meteorology. Chasing storms and interning under Tom Skilling at Chicago’s WGN were exciting for Ian, but all the while he was continuing to play with various bands around the Chicago area.
Ian began studying voice with opera singer Janice Pantazelos in 1998, going on to perform accapella at various venues around Chicago. Around the same time, Ian returned to his roots on the piano, and began writing songs from his heart. In 2000, Ian met Scottish McMillan, with whom he would play with for close to a decade while continuing to develop and enhance his skills as a performer. What has happened since then could only be categorized as a slow-moving musical reaction. Ian has continued to develop artistically and as a human being.
The latter has been a matter of spiritual, if not religious, inspiration. The former has been a continued progressive rock exploration that varies in synthesis from the classical-inspired compositional style of Muse to the heavy progressive magic of Porcupine Tree. Ian is relentless in his pursuit of the muse, delving deep into his own emotional and rational understanding of the world and sharing in song. Ian began documenting his songwriting and performance style with 2005’s Off Purpose, a collection of seven piano/vocal originals. This album grew out of a chance meeting with an old friend, Tim Sandusky, owner of Studio Ballistico in Chicago.
Sandusky not only provided the studio space, but also engineered and co-produced the album. The process was like the loosening of a dam, and songs began to spring forth unbidden. Off Purpose (2006) was Ian’s first full-band EP; this, an important step developmentally. By 2007, Ian was no longer playing out, focusing his time on writing and recording his third EP, Niche In Time. This new focus brought a greater depth of songwriting; a depth that showed more fully on Ian’s first full-length album, Weight Of The Words, which featured re-masters of the EPs Off Purpose and Niche In Time in addition to six new songs.
This dreamy synth-based progressive rock collection shows off a distinct musicality and vision that expands on traditional rock compositional styles in a Muse-meets-King Crimson ménage. Highlights include “Burning” and “Forever Today”. Ian’s songwriting takes on a bit more edge on his 2009 EP Feel No Evil. With songs such as “Sparkle And Shine” and “Little Bit”, Ian shows a developing sense of musical drama. Ian’s latest EP, Phone Call To Infinity, is his most defining work to date.
The edge noted on Feel No Evil is still here, but Ian has polished the rough edges to a fine musical sheen. The song “Behind The Dawn” shows an expansive sound that’s part Queen, part Muse and part Pink Floyd. Similar musical colors dance through “Five Below Nothing” and “Absent Today”. At some point in the recording of this EP, Ian has transcended mere creation into art; at the same time elevating his messages about becoming the best possible you to pure poetry. This development; this becoming, is all the more exciting when you consider that Ian returns to the studio.
It’s difficult to imagine where Ian might go next, but imagine you will. Ian’s music evokes the dreams you never consciously suspected but always understood on some deep, quiet level. This is transcendence. This is art.
This is Ian Narcisi. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply..
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