Rosvaenge also appeared at the Salzburg Festival, making his debut there in Der Rosenkavalier. Other roles which he performed at Salzburg between 1933 and 1939 were Tamino in Die Zauberflöte, Huon in Oberon and Florestan in Fidelio. His London debut at the Royal Opera House, Covent Garden, occurred in 1938, as Florestan. Rosvaenge sang Parsifal at the Bayreuth Festival in 1934 and 1936 but otherwise avoided the Wagnerian repertory, except on recordings. After World War II Rosvaenge divided his time between Berlin and Vienna. He continued to sing until May 30, 1959 (when he gave what was billed as his farewell concert at Vienna's Great Musikvereinsaal), appearing as Calaf, Radames and Manrico.
His voice showed little sign of age; it was still warm and sonorous throughout its range, and brilliant and lustrous in its upper register. Indeed, Rosvaenge, could deliver an easy and full-blooded high D during his vocal prime. Rosvaenge appeared in a wide spectrum of roles ranging from Mozart to Weber, from Verdi to Puccini. He sang with "a steely voice, brilliant high notes and insistent declamation throughout its scale" which was "brilliant and lustrous in its top register", according to Luiz Eduardo Goncalves Gabarra. Rosvaenge was equally impressive as Andrea Chénier and was also an acclaimed and exciting Radames and Otello: he was often heard in this latter role on German radio. Rosvaenge conducted a tour of the USA prior to his retirement.
He died in Munich, aged 74. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply..
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