Guitarist Marc Swenson a 17-year-old lead player who idolized and emulated Dave Davies was the first to answer and was quickly hired after a short impressive audition. The three then set about searching for a singer but were unsuccessful until receiving a call from Gloria Lambert who had also seen their advertisement At the time she was biding her time in the folk band Jordan Damian and Samantha until something more exciting ie electric came along for which she could utilize her classically trained skills An audition was set and when the 20-year-old blonde with the powerful Grace Slick voice showed up the three teenagers were somewhat awestruck and of course impressed and snapped her up immediately Like Swenson Lambert also happened to be a strong burgeoning songwriter The quartet took the name Haymarket Square in honor of the Chicago Labor riot that took place at the turn of the century Within a short time the band had earned a strong local reputation and degree of popularity on the Chicago rock scene playing premier rooms such as the Electric Playground and the Playboy Mansion in addition to the many teen clubs and hangouts and sharing stages with important international groups like the Yardbirds and Cream as well as local favorites HP Lovecraft Saturdays Children and the Shadows of Knight Soon they were composing their own songs in imitation of their idols Jefferson Airplane while also absorbing the citys blues and folk traditions and adding a smattering of Lovecraftian occult touches Haymarket Squares escalating stature led to an offer from the Chicago Museum of Contemporary Art in the summer of 1968 to act as backup musicians for a live work of art that was on display at the time the Original Baron and Bailey Light Circus produced by a pair of University of Illinois professors It in turn led to Magic Lantern released on independent Chaparral Records later in 1968 As the music featured on it was initially utilized as live accompaniment and created expressly with that purpose in mind the album plays much like the records of the Airplanes middle most psychedelic period as much visceral experiences to fill San Francisco ballrooms as they are objects for home listening or like early Grateful Dead recordings intended as soundtracks for Acid Tests and experimental light shows But as with the work of those bands Magic Lantern transcends its intended purpose in fact it is one of the stronger -- not to mention one of the earliest -- slices of acid rock from the era outstanding in every way from Kowalskis expert drumming to Lamberts impressive insistent singing to the intensely mood-filled darkly textured original songs The band changed personnel shortly after the albums release Homa chose to exit the band and was replaced by Ken Pitlik while Robert Miller added a second guitar to the mix. This version of Haymarket Square continued through 1974 when they called it quits By this point Swenson and Lambert had married while the others went their own separate ways In the intervening decades since its release Magic Lantern was extensively bootlegged especially in America and Europe Finally at the end of 2001 Gear Fab officially released the first authorized CD reissue of the album in all its original glory exposing one of the most significant remaining archival finds from the 60s acid counterculture Their album, Magic Lantern (originally issued in 1968) was a major hit, and is well considered by fans of psychedelic rock music even today. The music of the album was used to accompany the original Baron and Bailey Light Circus in the Museum of Contemporary Arts, Chicago.
The album was reissued by Gear Fab Records in 2001. The members of the band were: Gloria Lambert -Vocal Marc Swenson -Guitar, Vocal Robert Homa -Bass, Vocal John Kowalski- Percussion Gloria Lambert (Swenson) is now married to Marc Swenson. She teaches at a high school in Wisconsin as a Spanish and English teacher. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply..
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