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Hamzeh Yeganeh,Kaveh Sarvarian - JPop.com
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Hamzeh Yeganeh,Kaveh Sarvarian

Hamzeh Yeganeh,Kaveh Sarvarian

Hamzeh Yeganeh,Kaveh Sarvarian


"Persian Rug" is a collection of my ideas and Hamzeh Yeganeh's musical ideas in domain of contemporary Perisan Composition.In this album ,by employing elements from folklore and traditional persian music two composers have demonstrated new models of modern Persian composition . It is worthy to mention that each work in the collection has its own characteristics and has its own path in terms of compositional techniques. Different attitudes of two composers is obvious in composition. Read more on Last.fm
"Persian Rug" is a collection of my ideas and Hamzeh Yeganeh's musical ideas in domain of contemporary Perisan Composition.In this album ,by employing elements from folklore and traditional persian music two composers have demonstrated new models of modern Persian composition. It is worthy to mention that each work in the collection has its own characteristics and has its own path in terms of compositional techniques. Different attitudes of two composers is obvious in composition. For instance , in "Baluchi Suite" Hamzeh has presented his personal interpretation from the content and the spirit of Baluchestan music.While , in "Three short Persian Pieces" I have tried to boldly and directly use Persian traditional music in the form of a rather modern piece, as far as you can clearly feel "Abuata" (one of the Perisan modes) and its intervals in " Bahare Delkesh". Furthermore , our harmonic and thematic viewpoints are very different form each other. this differences indicates two different points of view and methods in composing Persian music.This album with its current order,was performed several times in different halls and audiotoriums.Getting interesting feedback from the audience, we decided to publish this album with the name , "Persian Rug" , as we believe can be regarded as a good task in contemporary Persian composition" Kaveh Sarvarian (Winter of 2010) Read more on Last.fm.

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