Julian Cope, in his in-depth review of the album, describes the bands sound in unequivocal terms: "...imagine a brutally recorded, brazen and ultra-skeletal industrial white funk played with all the claw-handed technique of the Red Crayola recording their famous Hurricane Fighting Plane". By consequence German Oak's music is very tortured, dark and weird, dominated by heavy, "distorted" guitar solos & rhythms. The background creates "painful" & "ambient" sequences thanks to delay echoes, electronic "fuzzy" noises & repetitive bass lines. A funkadelic / jazzy felt punctuates with discretion this grandiose.
In a rather discretion they also recorded (1972-76) the moody, cloudy and experimental epic-kraut Nibenlungenieg. Following in the footsteps of the percussive and organic Organisation and the remarkable Dom, German Oak had every reason to believe that this 3rd LP to be recorded by a Düsseldorf band would be warmly received. Unfortunately, German Oak were not only wrong in their assumptions that locals would embrace their music, but even local record shops rejected all the group's attempts to sell the albums in city outlets. Such was their lack of success that 202 of the original 213 copies were stored in the basement of the group's organist until the mid-1980s, when a thirst for undiscovered Krautrock finally brought German Oak back from the dead. Line-up: Wolfgang Franz Czaika - Caesar - Lead / Rhythmguitar Ullrich Kallweit - Ulli - Drums / Percussion Harry Kallweit - Harry - Electric Bass / Voice Manfred Uhr - Warlock - Organ / Fuzz-Organ / Voice Norbert Luckas - Nobbi - Guitar / A77 / Noises Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply..
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