It is here that young Gauhar started her training, she learnt pure and light classical Hindustani vocal music from, Kale Khan of Patiala, ‘Kalu Ustad’, Ustad Vazir Khan of Rampur, and Ustad Ali Baksh (founding members of Patiala Gharana) and Kathak from legendary Brindadin Maharaj (granduncle of Birju Maharaj), Dhrupad dhamar from Srijanbai, and Bengali Keertan from Charan Das. Soon she also started writing and composing ghazals under the pen-name ‘Hamdam’ and became proficient in Rabindra Sangeet  Gauhar Jaan gave her maiden performance at the royal courts of Darbhanga Raj in 1887 and was appointed as court musician , after receiving extensive dance and music training from a professional dancer at Banaras . Gauhar Jan started performing in Calcutta in 1896 and was called the 'first dancing girl' in her records. Gauhar Jaan first visited Madras in 1910, for a concert in the Victoria Public Hall, and soon her Hindustani and Urdu songs were published in a Tamil music book. In December, 1911, she was famously invited to perform at the coronation of King George V at Delhi Durbar, where she sang a duet, Ye Hai Tajposhi Ka Jalsa, Mubarak Ho Mubarak Ho, with Jankibai of Allahabad .
It is said that, Begum Akhtar in her early days wanted to pursue a career in Hindi films, but after listening to the singing of Gauhar and her mother, she gave up the idea completely and devoted herself to learning Hindustani classical music, in fact, her first teacher was Ustad Imdad Khan, who accompanied the mother-daughter duo on sarangi. Eventually, in her final days, she moved to Mysore, at the invitation of Krishna Raja Wadiyar IV of Mysore, and on August 1, 1928 , she was appointed as a 'Palace musician', though she passed away within 18 months, on January 17, 1930 in Mysore . In her lifetime, she recorded more than 600 records from 1902 to 1920, in more than ten languages , including Bengali, Hindustani, Gujarati, Tamil, Marathi, Arabic, Persian, Pushto, French, and English. She would round off her performances for a record by announcing 'My name is Gohar Jan' . . She popularised light Hindustani classical music with her thumri, dadra, kajri, chaiti, bhajan, tarana renditions, and also mastered the technique of condensing performing the elaborate melody Hindustani classical style to just three and a half minutes for a record. Her most famous song are, thumri sung in Bhairavi is Mora nahak laye gavanava, jabse gaye mori sud huna live , Ras ke bhare Tore Nain, Mere dard-e-jigar  and Bhajans like, Radhey Krishna Bol Mukhse.  India's first-ever record India's first disc had Gauhar Jaan  singing a khayal in Raag Jogiya , recorded on November 2, 1902, by Fred Gaisberg, an assistant to Emile Berliner, the father of Gramophone record , who left America to become the first recording engineer with the Gramophone Company, London.
The recording was done in a makeshift recording studio in two large rooms of a hotel in Kolkata, and at the end of the trial recording Gauhar Jaan announced - “My name is Gauhar Jaan“. Gauhar Jaan agreed to do the recording session for a princely sum of 3,000 rupees . By 1903, her records started appearing in Indian markets and were in great demand.  Restoration & release Saregama India (formerly the Gramophone Co. of India Ltd.
or His Master's Voice (HMV)), is planning to re-release the milestone recordings of Gauhar Jaan, after retrieving them from Gramophone Company’s London archives, and restoring them to their original glory  . Her songs are also part of the 'Vintage Music From India' (1996) audio album, and her image forms its cover . Further reading * Khayal and thumri gayaki of Late Gauhar Jan of Calcutta by S. R. Mehta, Volume 5 - January 1992, The Record News, The Journal of ‘The Society of Indian Record Collectors (SIRC) . * Vintage Music from India: Early Twentieth-Century Classical and Light-Classical Music, British Journal of Ethnomusicology, Vol. 3, (1994), pp.
132-132  Contemporaries There were four singing contemporaries of Gauhar Jaan with first names pronounced the same way as hers and sometimes spelled in English in different ways: - Gauhar Jan of Patiala; - Miss Gohar, who was associated with Parsi Theatrical Company in Bombay (Mumbai); - Gohar Mamajiwala, a singer actress who was associated with and mistress of Sardar Chandulal Shah of Ranjit Films (studio), Bombay; and - Gohar Bai Karnataki of Bijapur, who was associated with and mistress of Bal Gandharva. References 1. ^ a b c 'First dancing girl, Calcutta' 2. ^ a b The importance of being Gauhar Jan The Tribune, May 26, 2002. 3. ^ a b c 'My name is Gauhar Jan' www.the-south-asian.com, October 2003. 4.
^ a b Gohar Jan Chowk, Apr 16, 2008. 5. ^ Gauhar Jan in Madras The Hindu, Jan 14, 2008. 6. ^ Making musical waves The Hindu, Feb 03, 2003. 7. ^ Gauhar Jan Discography 8.
^ Melodies on record Pran Nevile, The Tribune, April 13, 2008. 9. ^ Ras Ke Bhare 10. ^ Saregama’s online store www.livemint.com Wall Street Journal, Dec 10 2007. 11. ^ a b Rebuilding a 100 years of priceless recordings The Indian Express, September 17, 2006. 12.
^ Gauhar Jaan: Early Recordings in India This announcement was necessary since the wax masters were sent to Hanover in Germany for pressing the records and the technicians would make proper labels and confirm the name by listening to these announcements at the end of the three minutes performance. 13. ^ 100 years of recording The Telegraph, November 01, 2002. 14. ^ 'Vintage Music From India' 15. ^ The Journal of ‘The Society of Indian Record Collectors 16.
^ British Journal of Ethnomusicology * http://www.tribuneindia.com/2002/20020526/spectrum/main7.htm (Source: http://en.wikipedia.org/wiki/Gauhar_Jaan ) Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply..
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