Gang 90 e As Absurdettes were made up of Julio Barroso on vocals, his loyal local divas May East, Alice Pink Pank, Lolita Renaux and Luiza Maria on backing vocals, including young musicians such as Gigante Brasil on drums, Lee Marcutti (formerly of Tutti Frutti) on bass, Wander Taffo on guitars and Guilherme Arantes on keyboards. Their B-side brought a funny version of 'Christine' of British outfit Siouxsie and The Banshees named Liliki Lamê. Gang 90 had dozens of different line-ups and would bring together a number of local musicians and pre-scenesters during their period of activity. Moreover the band was an extremely fashion-conscious outfit and served as a platform for Julio's advocacy of the concept of Antropophagy (our idea of cultural cannibalism as a positive force for transformation in the arts, in other words, our way of 'eating' from other cultures to produce new work).
His moves were felt strongly in the scene and like the Tropicalists in the late 60’s, Gang 90 were ready to devour new information wherever it came from. However, there was something about São Paulo's acts that made their music sound unexpected to the rest of the country. Sonically speaking, São Paulo's groups used to be much more urban, darker and spookier than their laid back peers from Rio de Janeiro -Cariocas. On the other hand, the Cariocas were already doing the 'beach new wave' sound of Rio, which back in the early 80’s, dominated the whole country. Every Brazilian teenager would know by heart every single tune from Rio's outfits such as Blitz, Kid Abelha e Os Abóboras Selvagens, Barão Vermelho, Sempre Livre, Neuzinha Brizola amongst many others.
Not to mention that Rio's bands were all signed to major record labels and had their first albums released with a good distribution around the country. São Paulo’s acts formed the independent side of this industry. Fortunately, Gang 90 e as Absurdettes ended up getting signed to a major record label too. By 1983, they had a delicious tropical new wave hit around Brazil named Louco Amor (Crazy love), thanks to its insertion on the opening of an 8 o'clock soap opera which shared the same title of the Gang's track. This meant being played every day for about one year to millions & millions of Brazilians through TV Globo, the epitome of the country's mainstream.
But the truth was that Julio wanted both sides of the cake. He wanted his cult status intact at the same time he wanted Gang 90 to achieve his ultra popular aspirations. In 1983, Gang 90 & As Absurdettes released their first LP Essa Tal de Gang 90 to great critical success but they didn't sell a lot like their counterpart new wave outfit Blitz from Rio. Sadly, in 1984 Julio was found dead in front of his building.
He fell down from the 8th floor from his apartment flat in Santa Cecilia in the centre of São Paulo. From then on, his influence would echo around São Paulo’s second and third waves of post-punkers. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply..
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