Francesco Maria Veracini
Francesco Maria Veracini
The Prince was in Venice recruiting musicians on behalf of his father Augustus II the Strong/Augustus I for the Saxon Court in Dresden. At the Prince's urging, Augustus the Strong employed Veracini to play chamber music at his court, later transferring him to the official Dresden payroll as violinist in August 1717. Veracini was sent to recruit Italian singers for the Dresden opera. In 1721 Veracini wrote another set of violin sonatas dedicated to the Prince. Unfortunately, there was animosity among the musicians at the court in Dresden. Veracini was involved in 1722 in a quarrel, staged according to one source by the composer and violinist [Johann Georg Pisendel|[Pisendel]], which resulted in Veracini leaping out of an upper-story window. He walked with a limp for the rest of his life.
Back in his native Florence in 1723, Veracini played music in a church and wrote an oratorio. During this time he earned a bad reputation and was said by Charles Burney to have been "usually qualified with the title of Capo pazzo" ["head lunatic"] (Burney 1789, 3:568, 4:451). Back in London in 1733, Veracini appeared in many concerts. There he wrote an opera, Adriano in Siria, considered too long by the music critics. In 1737, he wrote La Clemenza di Tito, on a libretto by Corri based on one by Pietro Metastasio. (The Metastasio libretto was also the basis of the one Mazzola wrote for Mozart's La Clemenza di Tito).
In 1738 Veracini wrote his third opera, Partenio, and in 1744 his last opera, Roselinda, based on Shakespeare's play As You Like It, a most unusual choice of material at that time. In that opera Veracini included the well-known Scots ballad tune The Lass of Paties Mill. It was staged in London in 1744, the same year his oratorio (described as an opera in Burney 1789, 4:451) L'errore di Salomone was staged, and its lack of success (Burney, 4:451, scorned the music as "wild, awkward, and unpleasant; manifestly produced by a man unaccustomed to write for the voice", but confessed that "This opera, to my great astonishment when I examined the Music, ran twelve nights", whereas L'errore di Salomone was given only twice) prompted Veracini to leave London a little more than a year later. After surviving a shipwreck in the English Channel, he again returned to Florence, where he was appointed maestro di capella of the churches of San Pancrazio and San Gaetano, the latter one at which his uncle had worked, focusing on church music. Though he mostly conducted in his later years, he still sometimes appeared as a violinist.
He died in Florence. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply..
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