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Flooting Grooves - JPop.com
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Flooting Grooves

Flooting Grooves

Flooting Grooves


Flooting Grooves is Pearce Van Der Merwe. Born in Cape Town in 1975, he grew up in South Africa and Italy, surrounded by music. Having a varied background ranging from classical to jazz, rock and related styles, he started playing flute after hearing Jethro Tull. Groups like Ozric Tentacles and Pink Floyd opened him up to Psychedelia and that's where his journey began! A party in Amsterdam in 2000 changed the course of things forever, marking Pearce's introduction to the trance scene Read more on Last.fm
Flooting Grooves is Pearce Van Der Merwe. Born in Cape Town in 1975, he grew up in South Africa and Italy, surrounded by music. Having a varied background ranging from classical to jazz, rock and related styles, he started playing flute after hearing Jethro Tull. Groups like Ozric Tentacles and Pink Floyd opened him up to Psychedelia and that's where his journey began! A party in Amsterdam in 2000 changed the course of things forever, marking Pearce's introduction to the trance scene, with its addictive and infectious grooves! Another turning point was the meeting of like-minded musicians and beings Dan Symons (a.k.a Dymons) and Ajja Leu (one half of Yab Yum) who both played instruments and laptops.

The initial meeting and jamming eventually led to Pearce moving to Switzerland to join The Peaking Goddess Collective (PGC): the organic chill and psy trance band formed in 2003 by Ajja, Dymons & Master Margherita, which combines laptops and synths with live instruments: Flute, Guitar, percussion, Bass & Fx. After his beginnings with the PGC, where his flute found the perfect niche in which to evolve, he started to participate actively in the production of the collective's tracks. Soon, he was also producing music solo, finding his own sound and ultimately performing live: FLOOTING GROOVES! Ethnic, groovy, floaty and psychedelic, his music ranges from chill to airy progressive beats. His performances are always a success and music lovers greatly appreciate the sight of the live instrument fusing with machine production. Read more on Last.fm.

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