(She agreed to sing again in Paris in 1904, in a benefit performance of Puccini's Tosca, but this production was staged at La Salle Favart rather than the Palais Garnier.) Towards the end of 1891, Eames debuted at the Metropolitan Opera in New York City in her trademark part of Juliette, and she quickly became a favourite with Met audiences. She would perform regularly at the Met in a variety of operas until 1909, when a dispute with management precipitated her departure. Eames also made a number of successful appearances at London's Royal Opera House, Covent Garden. She sang there intermittently from 1891 to 1901 and established herself as a genuine rival to Covent Garden's reigning diva, Nellie Melba, whom she heartily disliked.
Eames also sang in Madrid and fulfilled lucrative singing engagements at Monaco's chic Monte Carlo Opera during the 1890s. In 1906, Eames visited San Francisco with a touring troupe of leading Met singers. She was fortunate to survive unscathed when a devastating earthquake and fire struck the city, damaging her hotel. Eames gave her farewell operatic performances during the 1911-12 seasons with the Boston opera company. She then undertook a series of concert tours of the United States, appearing on the recital platform for the last time in 1916, by which time her voice was showing signs of deterioration.
Her autobiography, Some Memories and Reflections, was published in 1929. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply..
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|Sull'aria...Che soave zeffiretto (Le nozze di Figaro, Act III)|
|Le Roi de Thule (rec. 1908/ GRAMOPHONE MONARCH RECORD: 033024)|