El Quesillo de la Cuneta
El Quesillo de la Cuneta
It enchanted them from the first moment at which it extended the hand to them to request “a monea pale to them art”, while with the other it touched a single one of Neil Peart. Thus, the set was constituted as God (or the Pate' goat) commands. The father of Marín, Marín Father (old singer of the New Chilean Wave), acted the times of manager, taking them to the pluses piojentas boites of the capital. The group did not find its center, touching cumbias and guarachas to animate the night of innumerable houses of remolienda in its dear native Santiago. Meanwhile, secretly of his manager, they tried subjects of Rush and Primus, its favorite bands. Every day they improved its technique and sound, happening to be an acoustic road roller of proportions. It happened then that invited them to a tocata in an evangelical school in the commune of the Queen.
They were anxious to show its work, which per years they had tried. The great day arrived, and finally they were in the scene, with a plagued public of young and turgentes girls, potential groupies of the Quesillo. They began with its archiclásico “YYZ”, and nor if it wants they had finished when they were sent with “the Pobla Strangiatto”, cover something gallant of the famous instruments of Rush. When finalizing “the Pobla”, nineteen veinteavos of the public had been released, and those that were pifiaban or snored.
The deception was so that the group hung its tight leather trousers and rowers semitransparent and shining used for the show and enclaustró in a recording studio, to prepare its work magna, which, intuited, would only include/understand future generations. They were not mistaken. The Quesillo of the Roadside ditch has transformed into reiterated occasions our slight knowledge of “music”, “sound” and “art”. Thanks to a miracle of the deities, the three Marinbass teachers, Lord Garci'a and the Brice were united to fill the air with the sweet sound of their inexhaustible talent. Nowadays, the band is disintegrated. DonGar and Marimba simultaneously militate in famous and underground band “John Camping & the Sotitos”, and Brice as guide works tourist and gígolo in the Venezuelan Amazon. One comments that the seal Warner looks for them to authorize a remasterización and reedición of its only disc, and to motivate them to return to the scenes. We will be kind to which it happens.
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