As a talented pianist, he embarked upon a dual career as a concert artist and teacher for more than four decades during the course of which he held many positions. Although he was highly regarded as both a teacher and performer, he never achieved the public recognition of his better known contemporaries such as Mendelssohn, Schumann or Liszt. As fine a pianist as the first two and perhaps even a better teacher, the fact that he failed to publish very many of his compositions until toward the end of his life, in part, explains why he was not better known. Said to be a perfectionist, he continually delayed releasing his works until they were polished to his demanding standards. Schumann, among others, thought quite highly of the few works he did publish during the first part of his life. His chamber music is generally considered amongst his finest compositions.
Of the works with opus numbers, there are 3 string quartets, 2 string quintets for 2 violins, 2 violas and cello, 2 string sextets, 3 piano trios, a piano quintet, 2 sonatas for cello & piano, and 4 sonatas for violin and piano. In addition to these, there are several other works without opus, including a piano sextet, 2 piano trios, a piano quintet, a sonata for violin & piano and an occasional piece for cello & piano. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply..
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|String Quintet in C major, Op. 51: Andante Con Variationi|
|Adagio espressivo aus der Sinfonie A-Dur Op.47|
|Violin Concerto in D major, Op. 57: Adagio molto espressivo|