But that’s all changed, and she’s ready to face her audience eye to eye. Denitia’s Ceilings is a portrait of an artist awakened. After moving to the Rockaways, an isolated, beach-side Queens community, Odigie found herself turning inward for inspiration. She set out to shed the protective layers her career had imposed and rediscover what songs and sounds came naturally to her.
She also wanted this story to have her name on it: no more aliases, no more hiding. Denitia discovered a fellow traveler in Daniel Schlett, the owner of the Williamsburg recording studio, Strange Weather. The pair dug through stacks of Denitia’s demos, selecting the choice cuts that would eventually yield the Ceilings EP. The symbiosis between the pair can be felt through each song as Denitia’s sweeping compositions breathe and tighten at just the right moments. It starts with the anger and frustration on “Bound to Happen,” where Denitia first faces the illusions surrounding her and shatters them to pieces.
The song begins spare as a dirge, but then fills with bright, vibrant synths as Denitia begins taking a sledgehammer to the ersatz world around her. That clear-eyed perspective is then cemented on “Waiting” and “Ceilings,” twin tracks that are meditations on the world’s self-imposed separations and segregations, and serve as pleas to break down those barriers we unwittingly construct. The EP closes with “Planes,” described by Denitia as a song about the “constant longing for more, of wanderlust and desire.” The track's spine is in its vibrant piano and drum composition that lets Denitia’s voice soar and search, a sign that Ceilings is only the beginning. Read more on Last.fm.
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