The second album ‘Don’t Stop The world’ retained a harder punk edge to it. With a greater emphasis on guitars and less on the ‘vaudeville sound’ of the first album the group seamed to lose direction, being pulled from their art rock roots to the now emerging New Wave sound. The final third album, ‘English Boys, Working Girls’ moved more towards the New Wave sound and almost completely lost their original feel. As a result the band perhaps got lost amongst the many other New Wave bands of the time including fellow art school band Yachts. After the group folded in 1978 various members went on to further their careers in the music business. Bette Bright completed a solo album.
Clive Langer went on to produce amongst others Elvis Costello and Dexys Midnight Runners. A small re-union tour in 1988 gave birth to a brilliant live album ‘2nd Coming: Liverpool '88’. Since then the band have come together occasionally in Liverpool just for fun such as at the opening party of the venue 'The Picket' in 2006. Sanctuary Records released a compilation of the band's 3 studio albums in 2004. In 2011 the band released a new mini-album, 'Enrico & Bette xx' via Probe Records in Liverpool and on-line from the band's website: http://deafschoolmusic.com.
'Enrico & Bette xx' features five tracks recorded during 2010 at Briggs Warehouse in Hoxton, North London. The tracks are U Turn Away (written by Clive Langer and Steve Allen), Scary Girlfriend (Langer and Allen), Enrico's Song (Langer and Allen), I Know I Know (Steve 'Average' Lindsey), and Goodbye to All That (Langer, Allen and Lindsey). The influence Deaf School had on other artists is being increasingly acknowledged. Without Deaf School there would arguably have been no late 70's Liverpool scene, with no Frankie GTH or Teardrop Explodes, perhaps no Madness and Kevin Rowland admits that Dexy's were hugely influenced by Deaf School. 'something to remember'........
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