They have toured extensively within Germany, and frequently perform in and around Belgium, Holland and Austria. Initially, the band seemed to be strongly influenced by the sounds of Black Sabbath - perhaps most notably in their 1999 album, titled Periscope. This style later evolved into an unmistakably dry, bass-laden soundscape. Characteristic of this phase is Kogleks' continual guitar playing between trance-like bass rhythms. The albums Ewige Blumenkraft and Los Sounds de Krauts allowed the band to further develop this style with longer, more complex song structures, and increasingly strong jam and jazz elements. The results of these experiments were, in part, ridiculously long, complex, and self-referential 20-minute songs - culminating in their seminal self-titled album, Colour Haze, which was released in 2004.
On their follow-up LP, Tempel, the three continued to work with their innovative take on drone-based stoner rock. Even temporary arrangements within their experimental albums evolved into potent and complex arrangements, which for the most part were still jazz-based. With their more recent albums, however, Colour Haze have also effectively melded the sounds of world music into their style. Discography 1995 - Chopping Machine 1998 - Seven 1999 - Periscope 2000 - CO2 2001 - Ewige Blumenkraft 2003 - Los Sounds de Krauts 2004 - Colour Haze 2006 - Tempel 2008 - All 2012 - She Said 2014 - To the Highest Gods We Know Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply..
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