'Will It Last' is harpsichord popsyke, very English indeed. Next up is 'That Was The Time', a Kinks-ish acoustic ballad. The vocal performance is very Ray Davies-like. 'No Sense In Fighting', the only really duff track on this LP, is a bluesy Dylanesque bore.
'Maybe Time Will Change Me' is again, like the late 60s Kinks: nice ballad pop. One of the highlights of the album is 'Fly With Me', Let the music hypnotise Explore the underlying rise And fall with me Fly to the moon above Fly on the wings of love It's free Dance through the mountain streams See just how wild your dreams can be... -- which are delivered in the very best & feyest UK manner, sit atop a very classy funky pop groover, augmented with some swirly sitaresque guitar breaks. Very very nice. 'If You Really Care' is a Kaleidoscope-like (think 'A Lesson Perhaps') folky acoustic piece, with a mildly trippy vibe.
'Run And Hide' is pretty good: Tourquise style pop, let down only by a flat lead vocal. 'How Do You Say Goodbye' is sparkling strings pop a la Honeybus, and wouldappeal to many I'm sure. 'Sleep My Love' is another harpsichord-lead ballad. 'Why Did I let You Go' is gentle, soulful and again acoustic.
The version of 'Evil Woman' herein, is probably one of the most extraordinary. Featuring jazzy sax, fuzz and brass, it really is a splendid track. The pensive closer, 'Learn How To Love Life And You'll Be Living' is a hippie ballad, somewhat tainted by a country-blues influence, which features tweet tweet bird song sound effects. ------------------------------------------------------ 2 -classical flautist Christopher Britton -album Counterpoint for One Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply..
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