Deneuve's startling portrayal of an icy, sexually adventurous housewife in the latter film helped to establish her as one of the most remarkable and compelling actresses of her generation. She further demonstrated her talent that year in Demy's Umbrellas musical follow-up, Les Demoiselles de Rochefort, which she starred in with her sister, Françoise Dorléac. Deneuve continued to work steadily through the 1960s and 1970s in films such as the 1970 Tristana (her second collaboration with Buñuel) and A Slightly Pregnant Man (1973), in which she starred with her lover at the time, Marcello Mastrioanni. Despite or perhaps because of her stardom, Deneuve chose to avoid Hollywood, limiting her appearances in American films to The April Fools (1969) and Hustle (1975). Deneuve also did prolific work through the 1980s, appearing in such films as François Truffaut's Le Dernier Métro (1980) and Tony Scott's The Hunger (1983).
The latter film saw Deneuve playing a bisexual vampire alongside David Bowie and Susan Sarandon, and her performance won her an indelible cult status in the States among lesbians, goths, and artistically inclined teenage boys. In the 1990s, Deneuve garnered further international acclaim for her roles in several films, including the 1992 film Indochine (for which she won a César Award and received an Academy Award nomination for Best Actress) and two films directed by André Téchiné, Ma Saison Préférée (1993) and Les Voleurs (1995). In 1996, she paid homage to the director who had first given her fame by taking part in the documentary L'Univers de Jacques Demy. Closing out the final years of the 1990's Deneuve remained consistantly working in numerous films (in 1999 alone she appeared in no less than five films : Est-ouest, Le temps retrouvé, Pola X, Belle-maman, and Le vent de la nuit ) continuing to turn in compelling performances. In 2000 Deneuve received much critical attention when cast alongside eccentric Icelandic singer Bjork in Lars von Trier's melancholy musical Dancer in the Dark. Though it polarized critics and audiences alike, Dancer nevertheless won the Palme d'Or at the Cannes Film Festival.
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