One of his melodies survives. During his childhood Raymond V of Toulouse and Bertrand I of Forcalquier went to war over the Vaucluse. His father was killed in battle on this side of the count of Forcalquier and the castle of Cadenet destroyed. The young nobleman was taking captive or as a hostage to the court of Toulouse, where he became known after his birthplace, a term which also mean "juniper grove" (cade is Occitan for "juniper"). He rose to prominence in the court under the patronage of several prominent families with close connections to the Cathar movement.
According to his late thirteenth-century vida,. . . et il devint bon, bel et courtois.
Il sut bien trouver, chanter et parler, et appris à composer des couplets et des sirventès. He became a devoted attendant of the count and countess of Toulouse. His cansos celebrate friendship, love, and wine, but also criticise the feudal lords for their less admirable behaviour. He was only full of praise for lauzengiers, the spies and eavesdroppers who forced lovers into ever more secrecy. He wrote one sirventes criticising Raymond Roger Trencavel for his poor manners on a visit to the court of the count of Toulouse in 1204.
This sirventes is a useful source for the relationship between Toulouse and the Trencavel on the eve of the Albigensian Crusade, as it was written for a contemporary audience and dealt with personal issues. Cadenet also wrote a famous early alba, S'anc fu belha ni prezada, whose music (air) and lyrics are still preserved. The music is of the style of an oda continua hymn. In some of his writings, modern researches have thought to detect the influence of Cathar doctrine.
His famous Lo ben e lo mal (The Good and the Bad) divulges a deep sense of guilt towards God and a desire to swap evil and good: Ben volgra s'esser pogues ot lo mal qu'ai fait desfar e-l be que non ai fait far Ai! com m'en fora ben pres si-l bes fos mals e mals fos bes. . . Tant mi sent vas Dieu mespres qu'eu me cugei deseperar. I would like, if it could be, To destroy all the evil which I have made And do all the good which I have not done Ah! because it would be pleasing to me If the good were evil and the evil good. .
. So guilty I feel towards God That I believe I might despair. Elsewhere the learned Cadenet borrowed a Classical metaphor, that of the "boat of love, ploughing through the rough weather" from Ovid, and wrote Plus que la naus q'es en la mar prionda / Non had poder de far son dreg viatge. Cadenet elsewhere employs simile and metaphor to compare a beautiful but difficult woman to a pretty flower without seed: Car es delida leu flors, on mieills es florida; q'ela se fraing per nïen qand so qe mostra desmend. After the Crusade and the Inquisition, Cadenet took refuge in Spain (either Castile or Aragon, c. 1230), where he had an influence on the court of Alfonso X of Castile. Alfonso's cantiga Virgen, madre gloriosa adapts metric elements from Cadenet's alba.
Late in life, after an unhappy falling in love with a novice nun, sources differ as to whether he entered either the Order of the Temple or the Order of the Hospital. He appears to have been serving with the Order in Palestine when he died around 1230, though other sources place him in the Hospitaller establishment at Orange in 1239. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply..
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